Using The Microphone; Introduction; Bass Cut Filters; Preattenuation Pads - AKG C214 Modo De Empleo

3.1 Introduction

3.2 Bass Cut Filter
3.3 Preattenuation Pad

3.4 Stand Mounting

3.5 Hints on
Microphone Placement
Table 1: Recommended
applications.
20

3 Using the Microphone

The C 214 features a smooth frequency response similar to the typical sound of
AKG large-diaphragm microphones.
You can use the C 214 for most musical instruments in the studio and on stage
(see also section 3.5). With its cardioid polar pattern, the microphone will give ex-
cellent results in a multiplicity of recording situations, particularly, in close miking.
The selectable bass cut filter will effectively cancel out any unwanted noise such
as fan noise from air conditioning systems or low-frequency noise due to floor vi-
brations, handling noise, etc. without affecting the sound of the recorded voice or
instrument on tape.
The selectable 20-d B preattenuation pad allows you to increase the microphone's
headroom from 136 to 156 dB SPL. Remember to check that the equipment con-
nected to the microphone (microphone preamp, mixer input, recorder input) can
handle the maximum output level of the microphone without causing distortion.
• The supplied H 85 shock mount has a standard 3/8" thread insert so you can
mount the microphone on almost every commercial stand or suspension with
a 3/8" thread.
• To fix the shock mount on a stand with a 5/8" thread, remove the tread insert
and screw the shock mount directly on the stand.
• To remove the shock mount from the microphone, rotate the bayonet-type
lock at the lower end of the shock mount CCW to the point that the shock
mount unlocks.
We recommend the C 214 for the following applications:
Sound source
Lead/solo vocals
Backing vocals/choir
Speech
Acoustic guitar
Electric guitar
Electric bass
Double bass
Violin
Cello
Zither
Grand piano (classical music)
Studio
• •
• •
• •
• •
• •
•
• •
• •
• •
•
• •
Stage
• •
• •
• •
•
• •
•
•
• •
• •
C 214