SYNQ SMI.84 Manual De Instrucciones página 7

ENGLISH
fuse drawer and replace the fuse ONLY with a fuse of SAME voltage and rating. If the fuse blows again
after replacement, hand over the unit to qualified service personnel.
24. Balanced stereo master output: Balanced stereo XLR output carrying the main output signal controlled
by (14).
25. Unbalanced stereo master output: Unbalanced RCA/cinch output carrying the same signal as output
(24).
26. Balanced stereo master output: Balanced terminal block output carrying the same signal as output
(24), often used for fixed installations.
27. Equalizer for Stereo Master output: This is a 3-band stereo equalizer to adjust the frequency response
of the Stereo Master output. Adjustments shall be made with a small screw driver by the installer. Do not
apply excessive force with the screw driver.
28. Maximum level setting for Stereo Master output: Used to limit the maximum output level for the
outputs (24)/(25)/(26) in order to match the maximum allowable sound levels of connected sound
system. Adjustments made on this control will not be displayed by the output level meter (15).
Adjustments shall be made with a small screw driver during installation. Do not apply excessive force
with the screw driver.
29. Talkover adjustment for Stereo Master output: These two controls adjust the level at which the
talkover is enabled (SENSITIVITY) and the amount of damping once the talkover is active (DAMPING). If
no talkover effect is required for the stereo master output, the DAMPING control can be set to "off".
Adjustments shall be made with a small screw driver. Do not apply excessive force with the screw driver.
30. Balanced zone A/B/C mono outputs: These are balanced mono XLR outputs carrying the zone output
signals controlled by the zone output level controls(16) respectively.
31. Unbalanced zone A/B/C mono outputs: These are balanced terminal block outputs carrying the same
signal as outputs (30).
32. Equalizers for zone A/B/C outputs: These are 2-band equalizers to adjust the frequency response of
the Mono zone outputs. Adjustments shall be made with a small screw driver by the installer. Do not
apply excessive force with the screw driver.
33. Maximum level setting for zone A/B/C outputs: Used to limit the maximum output level for the outputs
(30) and (31) in order to match the maximum allowable sound levels of connected sound system.
Adjustments made on this control will not be displayed by the output level meters (18). Adjustments shall
be made with a small screw driver during installation. Do not apply excessive force with the screw driver.
34. Talkover adjustment for Mono zone outputs: These controls allow to set the amount of damping
which is applied once the talkover (5) is active. If no talkover effect is required on a mono zone output,
simply turn its T/O DAMPING control completely to the left (off). Adjustments shall be made with a small
screw driver during installation. Do not apply excessive force with the screw driver.
35. 100Hz High-Pass filter for Mono zone outputs: This helps to reduce the low-frequency energy on
outputs (30) and (31) which is specifically useful if a zone is used to feed a background music system
which may consist of relatively small wall or ceiling speakers. Such small speakers don't support low
frequencies.
36. Microphone include/exclude switch for Mono zone outputs: Pressing this switch will include the
microphone signal into the respective zone output, releasing the switch will exclude the microphone
signal from the respective zone output.
Important Note: once the microphone is excluded from a specific zone, the T/O DAMPING control
(34) of this zone shall be turned in the extreme left position (off) as otherwise the music level would
still be reduced while the microphone is used on the other outputs.
37. Record output: This is an unbalanced stereo output carrying the same signal as the main outputs
24/25/26, but not influenced by the main volume control (14). This is normally used for recording the
output to an external tape, CD or memory device.
38. PA-MIXER input: This balanced stereo input (¼'' jack) allows to easily connect the output of a stage
mixer. This makes it easy to directly inject the audio from PA-mixer of a live band to your own audio
system. The PA-MIXER input is routed to input channel 6 and will replace the LINE6 signal once the PA-
MIXER switch (13) is set to "ON". This back-panel PA-MIXER input is in parallel to the front-panel PA-
MIXER input (12).
Attention: the front-panel has priority! Once a jack is inserted into the front-side PA-MIXER input,
the rear-side PA-MIXER input is disabled!
39. Line inputs: These RCA/cinch connectors provide inputs for line-level signals to the assigned channels.
CH2 and CH5 can be switched to PHONO sensitivity by means of the switches (41), CH3 and CH4 can
be switched to an internal USB soundcard (42 and 44) by means of the switches (43 and 45), and CH6
can be switched to the PA-Mixer input by means of the front-panel switch (13).
40. PHONO/LINE-switches for CH2 and CH5: These switches change the sensitivity of the LINE inputs to
PHONO (RIAA equalized) level.
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SYNQ 5/41
OPERATION MANUAL
SMI-84 ZONE MIXER