Behringer ULTRAPATCH PRO PX3000 Guia De Inicio Rapido página 5

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ULTRAPATCH PRO PX3000
ULTRAPATCH PRO PX3000 Controls
ULTRAPATCH PRO
MULTI – FUNC TIONAL 48 – POINT 3 – MODE BALANCED PATCHBAY MODEL PX3000
NORMAL
A A A A
REAR FRONT REAR FRONT REAR FRONT REAR FRONT
B B B B
NORMAL
型 号: PX3000 平衡式接线槽
CONCEIVED AND DESIGNED
BY BEHRINGER GERMANY.
MADE IN CHINA 制造商:BEHRINGER Holdings (Pte) Ltd
中国制造
NORMAL
THRU
HALF NORMAL
THRU HALF NORMAL
A A A A A
REAR FRONT REAR FRONT REAR FRONT REAR FRONT REAR
B B B B B
HALF NORMAL THRU
(EN) Controls
FRONT
NORMAL MODE In the example above, top-row channels 9 to 14 are the
sends (tip contact of insert points) from mixer channels 1
to 4 plus the main left & right sends. They are connected,
A A A A
REAR FRONT REAR FRONT REAR FRONT REAR FRONT
B B B B in this example configuration, to their respective returns
(ring contacts of insert points) of the mixer.
(1) (2) (3) (4)
Outputs from the mixer sends can be taken from jack A
In NORMAL mode the rear A & B jacks of the channel are
without disabling the connection to the returns (pos. (2)).
connected together (pos. (1)). The connection between the
The mixer returns can be used as external line inputs,
rear jacks is disabled when you insert a cable into jack A or B
by patching cables to jack B (pos. (3)). External effects or
on the front panel (pos. (2) and (3)).
processors can be inserted into the send-return loop by
connecting their inputs & outputs to jacks A & B (pos. (4)).
In the example above, top-row channels 1 to 4 are from the
outputs of a keyboard and a MIDI sound module. They are
The main left & right outputs of the mixer are connected,
connected, in this example configuration, to input channels
in this example configuration, to a mini-disc recorder.
1 to 4 on the mixer.
However, they can also be connected in parallel to another
recorder (pos. (2)). The mini-disc recorder can record other
Channels 5 and 6 are from the subgroup outputs of a mixer
sources when they are connected to jack B of channels 15
and are connected, in this example configuration, to the
and 16 (pos. (4))
inputs of a computer audio card. Audio sequencer software
records the music signals directly onto the hard disk of
THRU MODE
the computer. Channels 7 and 8 connect the soundcard
outputs to the 2-track inputs of the mixer. Since the
A
rear-panel jacks are connected together in the Normal mode
REAR
B
(pos. (1)), the subgroup signals can be recorded directly
onto the PC and played back via the 2-track input of the
This mode is for sound modules or playback devices (e.g. CD
mixer (playback/monitoring), without a single patch cable
players) that only have output signals. You can save space
having to be plugged in! In this way, you can build up a basic
by routing the left and right outputs to one channel (jacks
configuration for your studio, which can be easily modified
A & B) of the patchbay. A more typical setup is to connect
by simply patching signals via the front-panel jacks
the left and right outputs to adjacent channels (jacks A & A)
(pos. (2)) or by feeding in external signals via patch cables
and then connect another device to jacks B & B of the same
(pos. (3)). You could, for example, connect the keyboard
channels. This configuration also allows you to position
signal to channels 3 and 4 by patching 1A to 3B, and 2A to
the inputs and outputs of effects devices, compressors,
4B. So, before wiring your studio, it is advisable to identify
equalizers, etc. directly above each other.
the connections that will be used most frequently and set
them up, as your basic configuration, one above the other
In the example configuration above, the outputs of the
on the patchbay. Then you will have a clear overview of all
playback devices (CD and mini-disc) plus the four individual
connections and still be flexible.
outputs of a sampler are connected to channels 17 to 20,
while channels 21 to 24 are used for the inputs & outputs of
HALF-NORMAL MODE
a compressor and an EQ, which are usually connected to the
inserts of a mixer.
A A A A
REAR FRONT REAR FRONT REAR FRONT REAR FRONT
B B B B
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(1) (2) (3) (4)
In HALF NORMAL mode, the rear A & B jacks of the channel
are connected together (pos. (1)). Unlike NORMAL mode,
the connection between the rear-panel jacks is not disabled
when a 1/4" plug is inserted into jack A on the front panel
(pos. (2)). This allows you to take the signal from a mixers
channel strip in parallel—without interrupting the
signal path on the channel strip. Like NORMAL mode, the
connection between the rear-panel jacks is disabled when a
1/4" plug is inserted into jack B on the front panel (pos. (3)).
When 1/4" plugs are inserted into both jacks A & B on the
front panel, the front jacks will be connected separately
to the corresponding rear jacks (pos. (4)). This is called
an "input break" and is used mainly to insert an effect or
processor into the signal path.
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Quick Start Guide
FRONT