Studiologic SL-161 Manual Del Usuario página 5

ENGLISH
SECTION 2.
Features:
A guided tour through the Studio Logic SL-161/SL-61's Controls and Features.
THE KEYBOARD
• The Studio Logic SL-161/SL-61 has a 61 key FATAR weighted synth action. It is an extremely
musi-cal feeling weighted synth style action that has a very dynamic yet quick response to it.
The velocity sensitive action can be modified with several VELOCITY CURVE response settings
which will be discussed later in this manual. The 61 key action of the SL-161/SL-61 will tran-
smit channel AFTERTOUCH on all ZONES.
THE WHEELS
• The PITCH and MODULATION WHEELS are the standard style, however, they are made with a
new rubberized texture. They have been designed to give the player a more solid tactile sen-
sation during performing and programming for a more musical response.
THE ZONES
• The SL-161/SL-61 has (2) two independent ZONES with each of them capable of being assi-
gned to any range of keys across the SL-161/SL-61's keyboard. As discussed in the introduc-
tion to this manual, the ZONES are the heart of creating musically useful Layers and Splits. Each
of the (2) ZONES consists of:
1. ZONE ENABLE/DISABLE BUTTON: Located on the front panel above the keyboard itself.
These are used to turn the ZONES on and off in PERFORMANCE mode. Each switch functions
independently of each other. In other words, you can have any combination of ZONES on or
off at any point by accessing these ZONE switches.
2. MIDI CHANNEL SELECT: While in EDIT mode, the ZONE BUTTONS are used to select the desi-
red ZONE to be edited. While editing, only one ZONE at a time can be selected and the but-
tons now toggle on and off as you select each ZONE SWITCH for editing.
3. BANK SELECT: While in EDIT mode each ZONE can be set to transmit on any of the 16 MIDI
channels available. Only one MIDI channel can be transmitted at a time per ZONE.
After selecting a MIDI channel to transmit on, and while in EDIT mode, you can initiate or
select BANK Changes. The commands are different depending on the external sound module
you are accessing. More on BANK SELECT later in this manual.
4. PROGRAM CHANGE: Patch selection can be made for each ZONE while in the EDIT mode.
Each ZONE can be set to select (send) patch changes 1 to 128 (some manufacturers use a num-
bering scheme 0 to 127, so you may need to add (1) to each patch# to achieve the desired
results).
5. SPLIT or KEY NOTE RANGE: This edit function allows you to select the range of active notes
(keys) for each ZONE. The ZONES are completely independent of each other and their split
points can overlap thus creating LAYERS.
6. TRANSPOSE: Each ZONE can be set to transpose its key range up or down 24 semitones. In
other words, up or down 2 octaves from the synth module's original setting.
7. SUSTAIN PEDAL ENABLE / DISABLE SELECT: You can set each ZONE to respond or not
respond to sustain pedal information. This is done in the EDIT mode for each ZONE.
8. WHEELS ENABLE / DISABLE SELECT: You can set each ZONE to respond or not respond to
PITCH and MODULATION WHEEL information. This is done in the EDIT mode for each ZONE.
9. AFTERTOUCH ENABLE / DISABLE SELECT: You can set each ZONE to respond or not respond
CHANNEL AFTERTOUCH information. This is done in the EDIT mode for each ZONE.
10. SHAPE: Velocity curve settings specific to each ZONE. These setting will alter the way
velocity information from the keyboard will be transmitted to the receiving MIDI channel.
There are 8 preset velocity curves to choose from that vary the dynamic response of the key-
board. Again, these settings are specific to each ZONE and are accessed while in the EDIT mode.
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I N S T R
M I D I C O N T
U C T I O N S M A N
ENGLISH
®
R O L L E R S
POWER INPUT
POWER SWITCH
SUSTAIN PEDAL
VOLUME PEDAL
U A L
GLOBAL VELOCITY CURVE: This VELOCITY CURVE setting is a global one, meaning it affects
the dynamic response of the entire keyboard across all (2) ZONES. There are 8 global settings
to choose from. Again, these setting are accessed while in the EDIT mode.
SUSTAIN PEDAL: The Studio Logic SL-161/SL-61 has a connection jack on the rear panel for
a SUSTAIN PEDAL input.
VOLUME PEDAL: The Studio Logic SL-161/SL-61 has a connection jack on the rear panel for
a standard VOLUME PEDAL input. The Vp-26 by Fatar is recommended.
POWER INPUT: The Studio Logic SL-161/SL-61 has a connection jack on the rear panel for the
supplied POWER SUPPLY input.
MEMORY STORAGE: The Studio Logic SL-161/SL-61 will remember all of your preset informa-
tion when powered down. All programmed settings are transmitted when the unit is powered
up. There is no need to store edited information, simply exiting the edit mode causes the
information to be stored.
SECTION 3.
Rear Panel Connections and Features:
Powering up, Connecting Pedals and hooking up with your other gear.
MIDI OUTPUTS SUSTAIN VOLUME
1 2
The Studio Logic SL-161/SL-61 has a connection jack on the rear panel for the AC POWER SUP-
PLY INPUT. The AC adapter POWER SUPPLY supplied with this unit is a positive tip 9V DC with
a minimum current of 200 mA.
The Studio Logic SL-161/SL-61 has its POWER SWITCH located on the back panel next to the
POWER SUPPLY INPUT. There is also a red LED to indicate the unit is on. Upon powering up
the keyboard all preset data is transmitted out through the MIDI OUT connections.
The Studio Logic SL-161/SL-61 has a connection jack on the rear panel for a SUSTAIN PEDAL
input. This jack will function properly with either type of "normally closed" or "normally open"
SUSTAIN PEDALS. Upon powering up the Studio Logic SL-161/SL-61 will recognize whichever
type of pedal is presently connected to the keyboard, regardless of polarity (e.g. PS100 or
VFP1). Note: SUSTAIN PEDAL must be plugged in prior to powering up to properly sense polarity.
The Studio Logic SL-161/SL-61 has a connection jack on the rear panel for a standard VOLU-
ME PEDAL input that uses a stereo or balanced jack (e.g. VP-26 by Fatar). This volume con-
trol will change the volume equally across all four ZONES simultaneously.
I N S T R U C T I O N
®
M I D I C O N T R O L L E R S
POWER 9V DC 0,2 A
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S M A N U A L