Peavey TRANSCHORU S210 Guía De Operación página 5

Crunch Channel
Pregain (7)
Controls the input level of the Crunch channel. Adjusting this control clockwise will increase the input
level, thus increasing distortion.
Thrash Switch (8)
When activated (in), this switch attenuates a preset portion of the mid range resulting in a more
ÒheavyÓ sound and an apparent increase in distortion.
Gain Switch (9)
When activated (in), this switch boosts the pregain of the Crunch channel resulting in increased dis-
tortion. This effect is often used to get intentional feedback and increased sustain.
Post Gain (10)
Controls the output level of the Crunch channel. Adjusting this control clockwise will result in
increased volume. The desired tone and distortion level should be obtained prior to adjusting this
control for proper level. Consider this control the volume control for the Crunch channel.
Lead Channel
Pregain (11)
Controls the input level of the Lead channel. Adjusting this control clockwise will increase the input
level, thus increasing distortion.
Mid Boost Switch (12)
When activated (in), this switch boosts the mid frequencies. This effect is often desired when miking
an amp that is producing distorted guitar signals. Selecting the Mid Boost will bring the signal up in
the overall mix during lead passages.
Gain Switch (13)
When activated (in), this switch boosts the pregain of the Lead channel resulting in increased distor-
tion. This effect is often used to get intentional feedback and increased sustain.
Post Gain (14)
Controls the output level of the Lead channel. Adjusting this control clockwise will result in increased
volume. The desired tone and distortion level should be obtained prior to adjusting this control for
proper level. Consider this control the volume control for the Lead channel.
Low, Mid, and High EQ (15)
This section is a passive tone control for the Crunch and Lead channels. Adjusting these knobs
clockwise will pass more low, mid, or high frequency content of these to the internal power amps .
Reverb (16)
Adjusting this control clockwise will result in more reverb content in the output of the amp regardless
of the channel. The reverb can be defeated completely by rotating the control counter clockwise.
Rate (17)
Adjusting this control clockwise will result in an increase in the sweep rate (frequency) of the
chorus effect. The chorus can only be disabled from the footswitch.
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