Phonic POWERPOD 620 Plus Manual Del Usuario página 8

CONTROLS AND SETTINGS
Rear Panel
12. Power Button and AC Connector
The power button, located on the rear of the mixer, is used to
activate the mixer. Of course, there's no point in activating the
mixer if there's no power, therefore an AC connector has been
included to ensure your Mixer gets the power it needs. Please use
the power cable that is included with this mixer only.
NB. Before connecting the AC cable to the Powerpod Mixer, please ensure
the local voltage levels are identical to those chosen by the Voltage Selector
switch.
13. Voltage Selector
This switch allows you to select from 2 mains power modes, 115
VAC / 60 Hz (Allowing you to use the device in Countries with
voltages between 100V and 120V) or 230 VAC / 50 Hz (Allowing
you to use the device in Countries with voltages between 220V and
240V). To change the Voltage Selector, you must first unscrew and
remove the plastic cover that protects the switch. After changing
the Voltage, please replace the plastic cover to ensure the voltage
level is not inadvertently altered.
NB. Using incorrect voltages can cause irreversible damage to the mixer.
All care must be taken in selecting the voltage appropriate to your zone. If
unsure of local voltage levels, contact a knowledgeable source before using
this mixer.
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Channel Controls
14. HIGH (High Frequency) Control
This control is used to give a shelving boost or cut of ±15 dB to
high frequency (12 kHz) sounds. This will adjust the amount of
treble included in the audio of the channel, adding strength and
crispness to sounds such as guitars, cymbals and synthesizers.
15. LOW (Low Frequency) Control
This control is used to give a shelving boost or cut of ±15 dB to
low frequency (80 Hz) sounds. This will adjust the amount of bass
included in the audio of the channel, and bring more warmth and
punch to drums and bass guitars.
16. MON (Monitor) Level Control
This control alters the signal level that is being sent to the Monitor
mixing buses, the signal of which is suitable for connecting stage
monitors, allowing artists to listen to the music that is being playing.
17. EFX (Effect) Level Control
This control alters the signal level that is sent to the EFX output,
which can be used in conjunction with external signal processors
(this signal of which can be returned to mixer via the stereo return
inputs), or simply as additional auxiliary outputs for any means
required. These controls also adjust the level of audio that is sent
to the built-in digital effect panel.
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18. Channel Level Control
This control will alter the signal level that is sent from the
corresponding channel to the Main mixing bus.
19. PAD -25 Button
The PAD -25 button, located above the 1/4" Phone Jack of mono
channels, is used to attenuate the input signal by 25 dB. This
should only be pushed in when using line-level input devices.
Digital Effect Processor
20. Digital Effects On and Indicator
This button allows users to turn the digital
effects on and off. The LED indicator that
accompanies it will illuminate when EFX are
activated. This button acts as a master EFX
on switch. When EFX are on, they can then
be bypassed using a footswitch connected
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to the Powerpod's footswitch jack.
21. Program Control
This control will allow users to select
one of the 16 built-in digital effects of the
Powerpod powered mixer. The effect names
that correspond with the numbers can be
found on the top of the mixer's face, or in
the digital effect table.
22. Parameter Control
Turning this control will adjust the one main parameter of the
selected effect. Each effect's parameter can be found on the
digital effect table.
Master Section
23. AUX In Control
Powerpod 620 models feature an AUX in control (located beneath
the Main Equalizer) that adjusts the final level of the AUX in input
that is sent to the Main mixing bus.
24. Tape In
Powerpod 620 models feature a single Tape in control (located
below the equalizer) that adjusts the final level of the AUX in input
that is sent to the Main mixing bus.
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POWERPOD 620 PLUS / POWERPOD 620 R
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