Zzipp ZZMXPRO Manual De Usuario página 5

1. MIC INPUT These are balanced XLR microphone input jacks (1: GND, 2: Hot, 3: Cold).
2. 48V INDICATOR The red LED lights up when phantom power is activated. Phantom power
is required to operate condenser microphones.
3. TRIM CONTROL Adjusts the signal level to achieve the best balance between the S/N ratio
and dynamic range. Adjust the gain so that the PEAK 9 indicator only occasionally and
briefly lights up on higher input transients. The scale from -60 to +10 is the range for MIC
input adjustment. The scale from -40 to +10 is the range for LINE input adjustment.
4. LOW CUT SWITCH Activates and deactivates the high-pass filter to cut frequencies below
75Hz.
5. SIGNAL LED Checks the input signal.
6. EQUALIZER This three-band EQ adjusts the high, mid, and low-frequency bands of the
channel. Setting the knob to the "0" position produces a flat response in the corresponding
band. Rotating the knob to the right increases the corresponding frequency band, while
rotating it to the left attenuates the band.
7. AUX CONTROL The monitor and effects buses (AUX sends) receive their signals through
control from one or more channels and sum these signals into a so-called bus. This bus
signal is sent to an aux send connector (for monitoring applications: MON OUT) and then
routed, for example, to an active monitor speaker or an external effects device. In the
latter case, the effects return can then be brought back into the console via the aux return
connectors. All monitors, effects, and effects buses are mono, inserted post-EQ, and offer
amplification up to +15dB.
8. FX CONTROL The auxiliary send labeled FX provides a direct path to the integrated effects
processor and is therefore post-fader and post-mute.
9. PAN CONTROL The PAN control determines the position of the channel signal within the
stereo image. When working with subgroups, the PAN control can be used to assign the
signal to a single output, which provides additional flexibility in recording situations. For
example, when addressing subgroups 3 and 4, panning all the way left will route the signal
only to the group 3 output, and panning all the way right will route it only to the group 4
output.
10. MUTE LED Indicates a muted channel. MUTE SWITCH Activate this switch to send the
signal to the buses. The switch lights up in orange when turned on.
11. BUTTON 1 - 2 When this button is active, the signal from the corresponding channel can be
sent to the secondary bus.
12. MAIN BUTTON When this button is activated, the signal from the corresponding channel
can be sent to the Main Mix stereo bus.
13. VOLUME FADER Adjusts the channel signal level. These controllers can be used to balance
between multiple channels.
14. CLIP SWITCH AND CLIP SOLO LED The PEAK LED lights up when the input signal is too
high. In such cases, lower the TRIM control and, if necessary, check the channel EQ setting.
SOLO SWITCH The SOLO switch is used to route the channel signal to the Solo bus (solo
in place) or the PFL bus (Pre Fader Listen). This allows you to monitor a channel signal
without affecting the main output signal. The signal you hear is taken before the pan
control (PFL, MONO) or after the pan and channel fader (SOLO, STEREO).
15. CONTROL KNOB COMP Adjusts the compression level applied to the channel.
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