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Behringer SPRING REVERBERATION 646 Manual De Instrucciones página 9

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  • MEXICANO, página 11
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SPRING REVERBERATION 646
SPRING REVERBERATION 646 Controls
Step 2: Controls
(EN)
SPRING LINES
We recommend that the Spring Type 646 is mounted in a place where it will not be knocked or subject to vibration to avoid unwanted
noise from the spring lines.
Top Panel
1. POWER SWITCH
2. POWER INDICATOR
3. OUTPUT SOCKET – use this 3.5 mm TS jack socket to connect the Type 646 to amplifiers, mixing desks or audio interfaces.
4. FOOTSWITCH INPUT – use this socket to connect a suitable footswitch to bypass the reverberation effect.
5. HIGH LEVEL LINE INPUT – use this socket to connect high level audio sources such as keyboards or mixing desks to the Type 646.
6. LOW LEVEL LINE INPUT – use this socket to connect low level audio sources such as guitars to the Type 646.
7. BALANCED MICROPHONE INPUT – use this socket to connect balanced microphones to the Type 646.
8. UNBALANCED MICROPHONE INPUT – use this socket to connect unbalanced microphones to the Type 646.
9. REVERBERATE – use this control to set the reverberation output level.
10. OVERLOAD INDICATOR – this indicator lights up when a signal on either input is overloading.
11. AUX CHANNEL – use this control to set the input level for line sources connected to the auxiliary channel.
12. MIC CHANNEL – use this control to set the input level for microphone(s) connected to the microphone channel.
Back Panel
13. OUTPUT SOCKET – use this 6.35 mm TS jack socket to connect the Type 646 to amplifiers, mixing desks or audio interfaces.
Duplicates socket 3 on top panel.
14. FOOTSWITCH INPUT – use this socket to connect a suitable footswitch to bypass the reverberation effect. Duplicates socket 4 on
top panel.
15. HIGH LEVEL LINE INPUT – use this socket to connect high level audio sources such as keyboards or mixing desks to the Type 646.
Duplicates socket 5 on top panel.
16. LOW LEVEL LINE INPUT – use this socket to connect low level audio sources such as guitars to the Type 646. Duplicates socket 6 on
top panel.
17. BALANCED MICROPHONE INPUT – use this socket to connect balanced microphones to the Type 646. Duplicates socket 7 on
top panel.
18. UNBALANCED MICROPHONE INPUT – use this socket to connect unbalanced microphones to the Type 646. Duplicates socket 8 on
top panel.
19. DC POWER INPUT – use this socket to connect the supplied 12 V DC power supply.
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Quick Start Guide

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