5�7�3�1 Setting Effects; External Effects - IMG STAGELINE DMIX-20 Manual De Instrucciones

5.7.3.1 Setting effects
1) Press the key FX1/ FX2 (22) (repeatedly) to select the screen view
(fig� 24) of the effect processor to be set�
2) Tap the appropriate button on the screen beneath "Effect Type"
to select the effect type desired (see table fig� 25)�
3) Use the keys ,,  ,  (18) or tap the appropriate control on the
screen to select the parameter to be set (see table fig� 25)�
4) Use the rotary knob PARAMETER ADJUST (18) to adjust the value
of the parameter selected�
5) As an alternative, for echo effects (delay), rhythmically press the
key TAP/ ENTER (20) to match the echo period to the music�
6) For a fast comparison of the sound with and without the effect,
press the key MUTE (23) to mute the effect way� With the key
FX MUTE (14), the two internal effect channels can be directly
muted or unmuted at any time�
7) Use the button "Save" to save the settings of an effect processor
under a specific name so that they can later be called up with the
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button "Load" ( chapter 5�10)�
Assign Gate
Channel Comp
Effect Type:
Hall Room Plate
Flanger Chorus DelayRev
Parameters:
PreDelay Decay RoomSize
129 ms 50% 50
Load
Fig. 24 Effect processor
Type Description
To simulate the reverbera-
Hall
tion in a hall
To simulate the reverbera-
Room
tion in a room
To simulate the reverber-
Plate ation of a conventional
reverberation plate
Delay Echo
StDelay Stereo echo
Tremolo Tremolo effect
Flanger Flanger effect
Chorus Chorus effect
DelayRev Echo + reverberation
Stereo echo +
StDelayRev
reverberation
Flanger effect +
FlangerRev
reverberation
Chorus effect +
ChorusRev
reverberation
Fig. 25 Effect table
36
PEQ FX 1 System Mixer
GEQ FX 2 Routing DCA
My_Effect
Delay St Delay
Tremolo
StDelayRev Flanger Rev ChorusRev
HDamp Efx Out Dry Out
50 50 % 0 %
Copy Save
Parameters
Pre Delay, Decay, Room Size, Hi Damp,
Efx Out, Dry out
Pre Delay, Decay, Room Size, Hi Damp,
Efx Out, Dry Out
Pre Delay, Decay, Room Size, Hi Damp,
Efx Out, Dry out
Time, Decay, Hi Damp, Efx Out, Dry Out
L Time, R Time, L Decay, R Decay, Hi Damp,
Efx Out, Dry Out
Mod Freq, Efx Out, Dry Out
Feed Back, Depth, Mod Freq, Efx Out, Dry Out
Feed Back, Depth, Mod Freq, Efx Out, Dry Out
Pre Delay, Rev Decay, Room Size, Rev Hi,
Rev Out, Echo Time, Echo F.B, Echo Hi,
Echo out, Dry Out
Pre Delay, Rev Decay, Room Size, Rev Hi,
Rev Out, L Time, R Time, L Decay, R Decay,
Echo Hi, Echo Out, Dry Out
Pre Delay, Rev Decay, Room Size, Rev Hi,
Rev Out, Mod F.B, Mod Depth, Mod Freq,
Mod Out, Dry Out
Pre Delay, Rev Decay, Room Size, Rev Hi,
Rev Out, Mod F.B, Mod Depth, Mod Freq,
Mod Out, Dry Out

5.7.4 External effects

For external effects that are added via an Aux way:
1) As described in chapter 5�3�3: For each of the input channels whose
signal is to be provided with effects, use the corresponding Aux
Send control to adjust the signal part desired�
2) As described in chapter 5�3: If required, route the input channels
to which the effect signals have been returned to the sum channel
MAIN and /or the subgroups and /or add them to the monitor ways�
3) In the screen view "Mixer" or "Long Faders" or in another view,
use the faders of the input channels to which the effect signals
have been returned to set the total volume of the respective effect�
4) If required, process the signal of the Aux way that is fed to the
effect unit, e� g� adjust the sound with the parametric equalizer
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( chapter 5�5�1) or process the dynamic range with the com-
pressor (
5) If required, process the effect signal in its input channel, e� g� ad-
just the sound with the parametric equalizer (
process the dynamic range (
For external effects inserted into an input channel (
Long
1) Adjust the input gain at the effect unit so that it perfectly matches
Faders
the signal� If required, use the control GAIN (1) to adjust the signal
Parameter
Mute
level�
PreDelay
9.5 dB
129ms
2) Set the output level of the effect unit in such a way that the input
FX1
channel is perfectly adjusted� With the indication for the Solo
function switched off [key SOLO METER (5) not illuminated], the
level on the level indicators (3) should be approx� 0 dB� The CLIP
LEDs must never light up for signal peaks; otherwise, the signal
will be distorted�
3) At the effect unit, set the desired ratio between the original signal
and the effect signal�
Solo
FX1
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chapter 5�4�2)�
☞
chapter 5�4)�
☞
chapter 5�5�1) or
☞
chapter 4�7):