Connecting The Mediaone Series - Samson MediaOne 3a Manual De Instrucciones

MediaOne Series Quick Connections
Note: Before plugging in and turning on, remember the "last on, first off" rule of power
amplifiers (and powered monitors). When powering up your system, be sure that all
the wires are connected, turn your mixer and any other outboard gear on, and then last
turn your MediaOne Series on. When powering down, turn your MediaOne Series off
first and then your mixer and outboard gear.
The MediaOne Series connections can be made via the rear panel RCA Inputs. Follow
the simple steps and diagram below for a quick connection using a standard recording
console's control room outputs.
• Using the included 20-gauge Extension Speaker cable, connect the Negative
(striped)side of the wire to the Black terminal and the positive side to the Red
terminal on the Right-side monitor.
• Now, connect the Negative (striped) side
of the wire to the Black terminal and the
Positive side to the Red terminal on the
Left-side monitor.
Note: Just about all un-shielded speaker
wire will have a marking indicating the
negative side. To avoid phase cancelation
problems, be sure to maintain the correct
connection for the positive and negative
sides throughout your system.
• Lower your mixer's master outputs to all
the way off.
• Connect the mixer's left and right
Control Room outputs to the stereo
input on the Right-side MediaOne
Series.
• Set the MediaOne Series input Volume
control to the 2 o'clock position. NOTE:
If you press the Volume Control, it will
extend out making it easier to adjust.
• Run an audio signal (like some music
from a CD) through your mixer and
raise the Control Room level to a
comfortable listening level.

Connecting the MediaOne Series

7
Speaker Cable (Un-Shielded)
FROM MIXER'S
CONTROL ROOM
OUTPUTS
MIC/LINE 1 MIC/LINE 2 MIC/LINE 3 MIC/LINE 4 MIC/LINE 5/6 MIC/LINE 7/8 MASTER SECTION
AUX 1 OUT LEFT LEFT MONO OUT
CR MIX
MONO OUT
30 30 30 30 AUX 2 OUT RIGHT RIGHT 5
GAIN GAIN GAIN GAIN R LINE IN R LINE IN
CLIP CLIP CLIP CLIP
5 60 5 60 5 60 5 60 0 10
-26 +26 -26 +26 -26 +26 -26 +26
0 0 0 0 0 0
5 5 HF 5 5 HF 5 5 HF 5 5 HF 5 5 HF 5 5 HF
12K 12K 12K 12K 12K 12K
10 10 10 10 10 10 10 10 10 10 10 10
2T TO MIX
15 15 15 15 15 15 15 15 15 15 15 15
0 0 0 0 0 0 5
5 5 MF 5 5 MF 5 5 MF 5 5 MF 5 5 MF 5 5 MF 2T IN 2T OUT
2.5K 2.5K 2.5K 2.5K 2.5K 2.5K
10 10 10 10 10 10 10 10 10 10 10 10
15 15 15 15 15 15 15 15 15 15 15 15 0 10 LEFT RIGHT LEFT RIGHT
0 0 0 0 0 0 0 0 0 0 0 0
5 5 LF 5 5 LF 5 5 LF 5 5 LF 5 5 LF 5 5 LF
80Hz 80Hz 80Hz 80Hz 80Hz 80Hz
10 10 10 10 10 10 10 10 24 DSP
15 15 LO CUT 15 15 LO CUT 15 15 LO CUT 15 15 LO CUT 15 15 15 15 DIGITAL EFFECTS
HARD
DISK
DSP TO MON
5 5 5 5 5 5 5 5
AUX 1 AUX 1 AUX 1 AUX 1 AUX 1 AUX 1 AUX +48V POWER
MON MON MON MON MON MON RET 1
0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10
5 5 5 5 5 5 5 AUX/DSP 5 PEAK
AUX 2 AUX 2 AUX 2 AUX 2 AUX 2 AUX 2 RET 2
DSP DSP DSP DSP DSP DSP 1 LARGE HALL
2 MEDIUM HALL +6
3 LARGE ROOM
4 VOCAL RM. 0
5 VOCAL RM. 2
0 10 0 10 0 10 0 10 0 10 0 10 0 10 6 CHORUS+REVERB -6
4 5 7 CHORUS+DELAY
PAN PAN PAN PAN BAL BAL 3 6 8 STAIRWELL
-12
2 7 DSP
-20
1 8
PEAK
L R L R L R L R L R L R
SELECT
REC REC REC REC REC REC DIGITAL EFFECTS MASTER SECTION
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
MIX/2T
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
C/ROOM
+PHONES
0 0 0 0 0 0 0 0 0 0 0 0 5 0 0 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
10 10 10 10 10 10 10 10 10 10 10 10 0 10 10 10 10
15 15 15
15 15 15 15 15 15 15 15 15 15 15 15
20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
30 30 30 30 30 30 30 30 30 30 30 30 30 30 30
40 40 40 40 40 40 40 40 40 40 40 40 40 40 40
CHANNEL 1 CHANNEL 2 CHANNEL 3 CHANNEL 4 CHANNEL 5/6 CHANNEL 7/8 PHONES L MIX R