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CONTROLS AND CONNECTIONS
47
A / B / C / D / E / F AUX OUTPUTS: each output is fitted
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with an unbalanced XLR socket and a stereo jack socket (for the
insertion of external accessories).
Connect the A, B, C, D, E, F output sockets to the inputs of the
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self-powered monitors. Adjust the monitor sends controls on each
channel (A, B, C, D, E, F controls), the tone controls (44), as well as
the aux volume faders (46).
Note: The stereo jack socket may also be used as unbalanced jack output,
using a standard mono jack. In this case the corresponding XLR output will
be disconnected. You may thus use XLR or Jack sockets according to your
needs.
Each output can drive up to 10 parallel connected active speaker
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enclosures or power amplifiers.
see fig. 2 page 48
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MASTER SECTION:
48
L / R outputs level: 12 segment LED arrays give istantaneous
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reading of L and R outputs levels.
49
L/R MASTER: volume faders for the left and right master
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outputs.
50
10-band stereo graphic EQUALIZER.
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51
EQ / FLAT: equalizer on/off switch.
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52
MONO: volume control for the mono output.
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53
PRE/POST: the signal to the 'mono' output may be selected
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independent from master L/R faders (PRE) or dependent from the
fader postion (POST).
54
CTRL ROOM: level control for the CONTROL ROOM stereo
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output (63).
55
PHONES: level control for the phones output.
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56
PFL L/R: in normal conditions, the headphones amplifier
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receive the master L/R signal (pre fader), but pressing this switch it is
switched to the selected PFL signal. If more than one PFL switch is
selected, the headphones receive the sum of all the selected signals.
57
PFL: PFL signal LED level indicator (12 segment LED array).
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58
TAPE IN VOL: sets the level of the signal at the 'Tape in'
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sockets.
59
PHANTOM 48V D.C.: master phantom power switch.
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It enables the individual phantom power switches on mono input
channels. If no phantom powered microphones are used with the
mixer, it is suggested to switch off this switch.
60
POWER: mains power switch.
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connections:
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61
L /R MASTER OUTPUTS: each output is fitted with an
◗
unbalanced XLR socket and a stereo jack socket (for the insertion
of external accessories).
Connect the L/R master outputs to the inputs of the self-powered
◗
speaker enclosures or to the inputs of the power amplifiers.
Adjust the volume fader on each channel as well as the L/R master
volume faders.
Note: The stereo jack socket may also be used as unbalanced jack output,
using a standard mono jack. In this case the corresponding XLR output will
be disconnected. You may thus use XLR or Jack sockets according to your
needs.
Each output can drive up to 10 parallel connected active speaker
◗
enclosures or power amplifiers.
see fig. 1 page 47
◗
62
MONO OUTPUT: this output carries the sum of the L and R
◗
signals. It is fitted with an unbalanced XLR socket and a stereo jack
socket (for the insertion of external accessories).
The Mono output allows the connection to mixers, studio consoles
or any auxiliary equipment, external power amplifiers or powered
speaker enclosures (side monitors).
The 'mono' output is switchable 'pre' or 'post' master fader and it
is fitted with a volume control.
Note: The stereo jack socket may also be used as unbalanced jack output,
using a standard mono jack. In this case the corresponding XLR output
will be disconnected. You may thus use XLR or Jack sockets according to
your needs.
Each output can drive up to 10 parallel connected active speaker
◗
enclosures or power amplifiers.
see fig. 3 page 49
◗
63
CTRL ROOM L/R: the Control Room outputs provide a
◗
duplication of the master outputs signal, useful to feed your
nearfield monitors while playing or recording or to feed a separate,
second PA while performing live to allow different audiences listen
at different sound levels (louder on the dancefloor near you, softer
at the tables where people's talking).
The output level is adjusted by means of the CTRL ROOM level
control, which is independent from the L/R master outputs volume
levels.
Each of the two outputs can drive up to 10 active speaker
◗
enclosures or power amplifiers.
see fig. 4 page 49
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64
PHONES OUT: output for stereo phones.
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65
L/R TAPE IN/OUT: PIN in-out sockets. They allow connection
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to a stereo tape recorder.
Connect the L/R TAPE OUT sockets to the inputs of the tape
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recorder (line in) and the outputs of the tape recorder (line out)
to the L/R TAPE IN sockets of the mixer. If the TAPE IN inputs are
not used, it is suggested to keep the volume control fully closed,
to keep output noise to the minimum value.
For playback: switch the recorder to 'play' mode and adjust the
◗
TAPE IN VOL control on the mixer (and the output volumes of the
tape recorder, if available).
For recording: switch the recorder to the 'record' mode and
◗
adjust the input volume of the tape recorder. Set the output
volume control of the tape recorder to its lowest setting. In case
your tape recorder has no output volume control, disconnect the
cables from the TAPE IN sockets. The signal sent to the tape
recorder is unaffected by the L/R master faders settings.
Note: The L/R Tape inputs accept any line signal. You can thus use them
as 2 extra line inputs to connect instruments, expanders or the L/R outputs
of a mixer.
see fig. 6 page 50
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66
I.E.C power supply socket and mains fuse.
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67
Auxiliary GROUND socket.
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15
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