[LINE&FREQ]
[REC FORMAT]
[AVC-I100/50P]
[AVC-I100/25PN]
[AVC-G50/25PN]
[AVC-G25/50P]
[1080-50P]
[AVC-G25/25PN]
[AVC-G12/50P]
[AVC-G12/25PN]
[AVC-I100/24PN]
[AVC-G50/24PN]
[1080-23.98PsF]
[AVC-G25/24PN]
[AVC-G12/24PN]
[AVC-I100/60i]
[AVC-I50/60i]
[AVC-G50/60i]
[1080-59.94i]
[AVC-G25/60i]
[AVC-G12/60i]
[DVCPRO HD/60i]
[AVC-I100/50i]
[AVC-I50/50i]
[AVC-G50/50i]
[1080-50i]
[AVC-G25/50i]
[AVC-G12/50i]
[DVCPRO HD/50i]
[AVC-I100/60P]
[AVC-I100/30PN]
[AVC-I100/24PN]
[AVC-I50/60P]
[720-59.94P]
[AVC-G50/60P]
[AVC-G25/60P]
[AVC-G12/60P]
[DVCPRO HD/60P]
[AVC-I100/50P]
[AVC-I100/25PN]
[AVC-I50/50P]
[720-50P]
[AVC-G50/50P]
[AVC-G25/50P]
[AVC-G12/50P]
[DVCPRO HD/50P]
[DVCPRO50/60i]
[480-59.94i]
[DVCPRO/60i]
[DV/60i]
[DVCPRO50/50i]
[576-50i]
[DVCPRO/50i]
[DV/50i]
*1 [AVC-G6 2CH MOV]
*2 Cuando [LINE&FREQ] está ajustado en [720-60P] o [720-50P], no es posible seleccionar [LOW 2CH MOV].
Lista de ajustes y funciones de grabación
El modo de grabación de la cámara funcionará de la siguiente forma según los dos ajustes (el menú principal → [SYSTEM MODE] → [REC SIGNAL]
y el menú principal → [RECORDING SETUP] → [RECORDING]). Incluso en casos "Disponibles", las funciones de grabación se restringen en algunos
modos de sistema. Para obtener detalles, consulte la tabla en "Modos de sistema y funciones de grabación".
Capítulo 4 Filmación — Formatos múltiples
Modo del sistema
[CAMERA MODE]
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—
—
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—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
[60i]
[30P]
[60i]
[30P]
[60i]
[30P]
[50i]
[25P]
[50i]
[25P]
[50i]
[25P]
Grabación
[AUDIO SMPL RES]
simultánea
—
[24BIT]/[16BIT]
l
l
[24BIT]
l
l
l
[16BIT]
l
[24BIT]/[16BIT]
l
l
[24BIT]
l
[16BIT]
l
l
[24BIT]/[16BIT]
l
l
[24BIT]
l
l
[16BIT]
l
l
[24BIT]/[16BIT]
l
l
[24BIT]
l
l
[16BIT]
l
l
l
[24BIT]/[16BIT]
l
l
l
[24BIT]
l
l
[16BIT]
l
l
[24BIT]/[16BIT]
l
l
l
[24BIT]
l
l
[16BIT]
l
l
l
l
[16BIT]
l
l
l
l
l
l
[16BIT]
l
l
l
– 82 –
Función de grabación
Grabación de doble códec
HD proxy*
SD proxy*
1
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l
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l
l
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l
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l
l
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l
l
l
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l
l
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l
l
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l
l
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—
—
—
—
2
—
—
—
—
—
—
—
—
—
—
—
l
l
l
l
—
—
l
l
l
l
—
—
l
—
—
l
l
l
—
—
l
—
l
l
l
—
—
l
—
l
—
l
—
l
—
l
—
l
—