ﻣﻥ 001 ﻫﺭﺗﺯ ﺇﻟﻰ 8 ﻛﻳﻠﻭ ﻫﺭﺗﺯ، ﻣﻣﺎ ﻳﺳﻣﺢ ﺑﺗﺭﻛﻳﺯ ﺑﺎﻟﺩﻗﺔ ﻋﻠﻰ ﺍﻟﻧﻁﺎﻕ ﺍﻟﺿﻳﻖ ﻟﻠﺗﺭﺩﺩ ﺍﻟﺫﻱ ﻳﻌﻣﻝ ﻋﻠﻳﻪMID ﻳﺳﻣﺢ ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﺑﺗﻧﻭﻳﻊ ﺗﺭﺩﺩ ﺍﻟﺗﺣﻛﻡ
.". ﻳ ُ ﺳﺗﺧﺩﻡ ﻟﺯﻳﺎﺩﺓ ﺃﻭ ﺧﻔﺽ "ﺣﻳﻭﻳﺔ" ﺍﻟﺻﻭﺕSHELVING" ﻳﺳﻣﺢ ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﺑﻛﺳﺏ ﺃﻭ ﺗﻭﻫﻳﻥ ﺣﺗﻰ 51 ﺩﻳﺳﻳﺑﻝ ﻋﻧﺩ 08 ﻫﺭﺗﺯ ﺑﻣﻧﺣﻧﻰ ﻣﻥ ﺍﻟﻧﻭﻉ
، ﻭﻳﻣﻛﻥ ﺿﺑﻁﻬﺎ ﺿﺑﻁﺎ ﻣﺳﺗﻘﻼ ﻣﻥ ﻭﺿﻊ ﺍﻟﺗﺣﻛﻡpre-fader . ﻫﺫﻩ ﺍﻹﺷﺎﺭﺓ ﻋﺑﺎﺭﺓ ﻋﻥAUX 1 ﻳﺭﺳﻝ ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﺍﻹﺷﺎﺭﺓ ﻋﻧﺩ ﺍﻟﻣﺧﺭﺝ ﺍﻟﻣﺳﺎﻋﺩ
، ﻭﻳﻣﻛﻥ ﺿﺑﻁﻬﺎ ﺿﺑﻁﺎ ﻣﺳﺗﻘﻼ ﻣﻥ ﻭﺿﻊ ﺍﻟﺗﺣﻛﻡpre-fader . ﻫﺫﻩ ﺍﻹﺷﺎﺭﺓ ﻋﺑﺎﺭﺓ ﻋﻥAUX 2 ﻳﺭﺳﻝ ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﺍﻹﺷﺎﺭﺓ ﻋﻧﺩ ﺍﻟﻣﺧﺭﺝ ﺍﻟﻣﺳﺎﻋﺩ
ﺑﺎﻟﺿﻐﻁ ﻋﻠﻰ ﺯﺭpost-fader ﻓﻲ ﺍﻟﻐﺎﻟﺏ، ﻭﻳﻣﻛﻥ ﺿﺑﻁﻬﺎ ﻋﻠﻰpre-fader . ﻫﺫﻩ ﺍﻹﺷﺎﺭﺓAUX 3 ﻳﺭﺳﻝ ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﺍﻹﺷﺎﺭﺓ ﻋﻧﺩ ﺍﻟﻣﺧﺭﺝ ﺍﻟﻣﺳﺎﻋﺩ
. ﻭﻫﺫﺍ ﺍﻹﻋﺩﺍﺩ ﺍﻷﺧﻳﺭ ﻫﻭpre-fader ﻛـAUX 3 ، ﻭﻋﻧﺩ ﺭﻓﻊ ﺍﻟﺯﺭ ﻳﺗﻡ ﺿﺑﻁpost-fader ﻛـAUX 3 ﻳﺿﻣﻥ ﻫﺫﺍ ﺍﻟﺯﺭ ﻋﻧﺩ ﺍﻟﺿﻐﻁ ﻋﻠﻳﻪ ﺍﻟﺗﺣﻛﻡ
.MAIN MIX ﺑﺷﺎﺷﺔ ﻟﻠﻣﺳﺭﺡ، ﻟﻠﺣﺻﻭﻝ ﻋﻠﻰ ﺧﻠﻁ ﻣﺳﺭﺣﻲ ﻣﺳﺗﻘﺑﻝ ﻋﻥAUX 3 ﺍﻟﺫﻱ ﻳ ُ ﻧﺻﺢ ﺑﻪ ﻓﻲ ﺣﺎﻟﺔ ﺍﻟﺭﻏﺑﺔ ﻓﻲ ﺍﺳﺗﺧﺩﺍﻡ ﺍﻟﺗﺳﻠﻳﻡ
post- (. ﻫﺫﻩ ﺍﻹﺷﺎﺭﺓ ﻫﻲPROFEX digital effect processor) ﻭﺇﻟﻰ ﺍﻟﺗﺄﺛﻳﺭ ﺍﻟﺩﺍﺧﻠﻲAUX 4 ﻳﺭﺳﻝ ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﺇﺷﺎﺭﺓ ﺇﻟﻰ ﺍﻟﻣﺧﺭﺝ ﺍﻟﻣﺳﺎﻋﺩ
.MAIN MIX, GROUPS 1-2, AUX 1, AUX 2, AUX 3, AUX4 / FX ﺗﺧﺗﻔﻲ ﺍﻹﺷﺎﺭﺓ ﻣﻥ ﺍﻟﻣﺧﺭﺝMUTE ﻋﻧﺩ ﺍﻟﺿﻐﻁ ﻋﻠﻰ ﺯﺭ
ﻓﻲ ﺍﻟﻮﺿﻊSOLO ﺑﺎﻟﻀﻐﻂ ﻋﻠﻰ ﺍﻟﺰﺭC.ROOM ﻭPHONES ﻣﻼﺣﻈﺔ: ﻻ ﻳﺘﻢ ﺇﺳﻜﺎﺕ ﺇﺷﺎﺭﺓ ﺩﺧﻞ ﺍﻟﻘﻨﺎﺓ ﺗﻤﺎﻣﺎ ﺑﻬ ﺬ ﺍ ﺍﻟﺰﺭ، ﻭﻳﻤﻜﻦ ﺍﻻﺳﺘﻤﺎﻉ ﺇﻟﻴﻬﺎ ﻋﺒﺮ ﺍﻟﻤﺨﺮﺟﻴﻦ
. ﻳﺗﻡ ﻋﺎﺩﺓ ﺗﻧﺷﻳﻁ ﺍﻟﻣﻔﺗﺎﺡMAIN MIX ﺍﻟﺧﺎﺹ ﺑـfader ﺍﻟﻣﺿﺑﻭﻁ ﺑﻭﺍﺳﻁﺔ ﺍﻟـMAIN MIX ﻭﺑﺗﻧﺷﻳﻁ ﻫﺫﺍ ﺍﻟﻣﻔﺗﺎﺡ ﻳﺗﻡ ﺗﻌﻳﻳﻥ ﺇﺷﺎﺭﺓ ﺍﻟﻘﻧﺎﺓ ﻋﻠﻰ ﺍﻟﻧﺎﻗﻝ
. ﻳﻣﻛﻥ ﺍﺳﺗﺧﺩﺍﻡGROUPS 1-2 ﺍﻟﺧﺎﺹ ﺑـfader ﺍﻟﻣﺿﺑﻭﻁ ﺑﻭﺍﺳﻁﺔ ﺍﻟـGROUPS 1-2 ﻭﺑﺗﻧﺷﻳﻁ ﻫﺫﺍ ﺍﻟﻣﻔﺗﺎﺡ ﻳﺗﻡ ﺗﻌﻳﻳﻥ ﺇﺷﺎﺭﺓ ﺍﻟﻘﻧﺎﺓ ﻋﻠﻰ ﺍﻟﻧﺎﻗﻝ
، ﻹﻧﺷﺎء ﺧﻠﻳﻁ ﻓﺭﻋﻲ ﻟﻣﺟﻣﻭﻋﺔ ﻣﻥ ﺍﻟﻘﻧﻭﺍﺕ )ﻣﺛﻝ ﺟﻣﻳﻊ ﻗﻧﻭﺍﺕ ﺍﻟﺑﻁﺎﺭﻳﺔ(: ﻭﻓﻲGRP TO MIX ﻛﻣﺧﺭﺝ ﻣﻧﻔﺻﻝ ﺃﻭ ﺑﻌﺩ ﺗﻧﺷﻳﻁ ﺯﺭGROUPS 1-2
ﺃﺛﻧﺎءSOLO . ﺍﺳﺗﺧﺩﻡLED ، ﻭﺗﺧﻳﻝ ﻣﺳﺗﻭﻯ ﻋﺩﺍﺩC.ROOM ﻳﺳﻣﺢ ﻫﺫﺍ ﺍﻟﺯﺭ ﺑﺎﻟﺳﻣﻊ ﺍﻟﻣﺳﺑﻖ ﻹﺷﺎﺭﺍﺕ ﺍﻟﻘﻧﻭﺍﺕ ﻓﻲ ﺳﻣﺎﻋﺎﺕ ﺍﻟﺭﺃﺱ، ﻭﻋﻧﺩ ﻣﺧﺭﺝ
ﻳﻣﻛﻥ ﺍﻟﺗﺣﻛﻡSOLO ﺍﻷﺩﺍء ﺍﻟﺣﻲ ﻟﻼﺳﺗﻣﺎﻉ ﺍﻟﻣﺳﺑﻖ ﻟﻺﺷﺎﺭﺍﺕ ﻗﺑﻝ ﺍﻟﺧﻠﻁ ﺃﻭ ﺣﺗﻰ ﻟﻠﺗﺣﻛﻡ ﺇﺫﺍ ﻛﺎﻧﺕ ﺍﻟﻘﻧﺎﺓ ﻣﺿﺑﻭﻁﺔ ﺃﺛﻧﺎء ﺍﻟﺣﻔﻠﺔ. ﺑﺎﻟﺿﻐﻁ ﻋﻠﻰ ﺃﺯﺭﺍﺭ
ﻋﺒﺎﺭﺓ ﻋﻦSOLO ، ﻟﺬﻟﻚ ﻫﻨﺎﻙ ﺇﺷﺎﺭﺓ ﺩﺧﻞ ﻓﻲ ﺍﻟﻘﻨﺎﺓ. ﺇﻥ ﺇﺷﺎﺭﺓPFL ﻓﻲ ﺍﻟﻮﺿﻊSOLO MODE ﺇﺫﺍ ﻛﺎﻥpre-fader ﻋﺒﺎﺭﺓ ﻋﻦSOLO ﻫﺎﻡ: ﺇﻥ ﺇﺷﺎﺭﺓ
.MAIN MIX ، ﻟﺬﻟﻚ ﻫﻨﺎﻙ ﺇﺷﺎﺭﺓ ﻣﺮﺳﻠﺔ ﻣﻦ ﺍﻟﻘﻨﺎﺓ ﺇﻟﻰAFL ﻓﻲ ﺍﻟﻮﺿﻊSOLO MODE ﺇﺫﺍ ﻛﺎﻥpost-fader
ﻣﻥ ﺃﻱ ﻧﻭﻉ ﻣﻥ ﺍﻟﻣﻳﻛﺭﻭﻓﻭﻧﺎﺕ. ﻋﻧﺩ ﺍﺳﺗﺧﺩﺍﻡ ﻫﺫﺍ ﺍﻟﻣﺩﺧﻝ، ﺗﻌﻣﻝ ﺍﻟﻘﻧﺎﺓXLR ﻗﺎﺩﺭ ﻋﻠﻰ ﻗﺑﻭﻝ ﺇﺷﺎﺭﺓ ﻣﻳﻛﺭﻭﻓﻭﻥ ﻣﺗﻭﺍﺯﻧﺔ ﺑﻣﻭﺻﻝXLR ﺇﻧﻪ ﻣﻭﺻﻝ ﺃﻧﺛﻰ
ﺇﻧﻪ ﻣﻭﺻﻝ ﻣﻘﺎﺱ ¼" )3.6 ﻣﻠﻡ( ﻧﻭﻉ ﻗﺎﺑﺱ، ﻗﺎﺩﺭ ﻋﻠﻰ ﻗﺑﻭﻝ ﺍﻹﺷﺎﺭﺓ ﺑﻣﺳﺗﻭﻯ ﺧﻁ ﻣﺗﻭﺍﺯﻥ ﺃﻭ ﻏﻳﺭ ﻣﺗﻭﺍﺯﻥ ﻣﻥ ﻛﻝ ﻧﻭﻉ ﻣﻥ ﺍﻟﻣﺻﺎﺩﺭ. ﻓﻲ ﺣﺎﻟﺔ ﻋﺩﻡ
ﺇﻧﻪ ﻣﻭﺻﻝ ﻣﻘﺎﺱ ¼" )3.6 ﻣﻠﻡ( ﻧﻭﻉ ﻗﺎﺑﺱ، ﻗﺎﺩﺭ ﻋﻠﻰ ﻗﺑﻭﻝ ﺍﻹﺷﺎﺭﺓ ﺑﻣﺳﺗﻭﻯ ﺧﻁ ﻣﺗﻭﺍﺯﻥ ﺃﻭ ﻏﻳﺭ ﻣﺗﻭﺍﺯﻥ ﻣﻥ ﻛﻝ ﻧﻭﻉ ﻣﻥ ﺍﻟﻣﺻﺎﺩﺭ. ﻳ ُ ﺳﺗﺧﺩﻡ ﻓﻘﻁ ﻓﻲ
60
.ﻳﺿﺑﻁ ﻛﻣﻳﺔ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻣﺭﺍﺩ ﺇﺭﺳﺎﻟﻬﺎ ﺇﻟﻰ ﺍﻟﻣﺧﺭﺝ ﺍﻷﻳﺳﺭ ﻭﺍﻷﻳﻣﻥ. ﻳ ُ ﺳﺗﺧﺩﻡ ﻟﻭﺿﻊ ﺍﻟﺻﻭﺕ ﻓﻲ ﻣﺷﻬﺩ ﺑﺎﻧﻭﺭﺍﻣﺎ ﺍﺳﺗﺭﻳﻭ
.GROUPS 1-2 ﻋﻠﻰ ﻗﻧﻭﺍﺕ ﺑﺎﺳﺗﺛﻧﺎء ﺗﻠﻙ ﺍﻟﻘﻧﻭﺍﺕ ﺍﻟﻣﻌﻳﻧﺔ ﻣﻧﻔﺻﻠﺔ ﻋﻥ ﺍﻟﻧﺎﻗﻝMIX
. ﺳﻭﻳﺎ ﻭﺑﻣﻌﺯﻝ ﻋﻥ ﺑﻘﻳﺔ ﺍﻟﺧﻠﻳﻁGROUPS 1-2 ﻫﺫﻩ ﺍﻟﺣﺎﻟﺔ ﺳﻭﻑ ﻳﺗﻡ ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻹﺷﺎﺭﺍﺕ ﺍﻟﻣﻌﻳﻧﺔ ﻋﻠﻰ
.(GAIN (4 ، ﺧﻔﺽ ﻣﺳﺗﻭﻯ ﺇﺷﺎﺭﺓ ﺍﻟﻣﺩﺧﻝ ﺑﺎﺳﺗﺧﺩﺍﻡ ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﻛﺳﺏLED PEAK ﻫﺎﻡ: ﻓﻲ ﺣﺎﻟﺔ ﻭﻣﻳﺽ
.GROUPS 1-2 ﻭ/ﺃﻭMAIN MIX ﻳﻧﻅﻡ ﻣﺳﺗﻭﻯ ﺇﺷﺎﺭﺓ ﺍﻟﻘﻧﺎﺓ، ﻭﻳﺭﺳﻠﻬﺎ ﺇﻟﻰ ﻣﺧﺭﺝ ﺍﻟﻧﺎﻗﻝ
. ﺑﻬﺫﺍ ﺍﻟﻣﺩﺧﻝ ﻛﻣﺻﺩﺭ ﻭﺣﻳﺩMONO ، ﻓﺳﻭﻑ ﺗﻌﻣﻝ ﺍﻟﻘﻧﺎﺓ ﻛﻘﻧﺎﺓLINE R ﺇﺩﺧﺎﻝ ﻗﺎﺑﺱ
( )ﺃﻛﻭﻳﻼﻳﺯﺭ ﺍﻟﺗﺣﻛﻡ ﺑﺗﺭﺩﺩ ﻣﺗﻭﺳﻁEQ FREQ .9
( )ﺃﻛﻭﻳﻼﻳﺯﺭ ﺍﻟﺗﺣﻛﻡ ﺍﻟﻣﻧﺧﻔﺽEQ LOW .10
(pre 1 )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﻣﺳﺗﻭﻯ ﺍﻟﻣﺳﺎﻋﺩAUX 1 .11
(pre 2 )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﻣﺳﺗﻭﻯ ﺍﻟﻣﺳﺎﻋﺩAUX 2 .12
(pre/post 3 )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﻣﺳﺗﻭﻯ ﺍﻟﻣﺳﺎﻋﺩAUX 3 .13
.FADER LEVEL : ﻭﻓﻲ ﻫﺫﻩ ﺍﻟﺣﺎﻟﺔ ﺳﻭﻑ ﺗﻌﺗﻣﺩ ﻋﻠﻰ ﻭﺿﻊ ﺍﻟﺗﺣﻛﻡPOST
( )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﻣﺳﺗﻭﻯ ﺍﻟﻣﺳﺎﻋﺩ 4 ﻭ/ﺃﻭ ﺍﻟﺗﺄﺛﻳﺭAUX 4 FX POST .15
. ﻣﻥ ﺍﻟﻘﻧﺎﺓFADER ﺃﻭ ﺑﻌﺑﺎﺭﺓ ﺃﺧﺭﻯ ﺗﻌﺗﻣﺩ ﻋﻠﻰ ﻭﺿﻊ ﺍﻟـfader
. ﻓﻬﺫﺍ ﻳﻌﻧﻲ ﺃﻥ ﺇﺷﺎﺭﺓ ﺍﻟﻣﺩﺧﻝ ﻗﺭﻳﺑﺔ ﻣﻥ ﺍﻟﺗﺷﻭﻩLED PEAK ﻓﻲ ﺣﺎﻟﺔ ﻭﻣﻳﺽ
( )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﻣﺳﺗﻭﻯ ﺍﻟﻘﻧﺎﺓFADER LEVEL .22
( )ﻣﺩﺧﻝ ﺍﻟﻣﻳﻛﺭﻭﻓﻭﻥ/ﺍﻟﺧﻁMIC LINE L/MONO .23
.mono . ﺍﻟﻧﻬﺎﻳﺎﺕ ﻫﻲ ﻧﻔﺳﻬﺎ ﻧﻬﺎﻳﺎﺕ ﻗﻧﻭﺍﺕmono ﻛﻘﻧﺎﺓ ﻣﻳﻛﺭﻭﻓﻭﻥ
.ﺃﻭ ﺧﻔﺽ "ﻭﺟﻭﺩ" ﺍﻟﺻﻭﺕ
.MID EQ ﺍﻟﺗﺣﻛﻡ
.FADER LEVEL
.FADER LEVEL
(post fader )ﺯﺭ ﺍﻟﺗﻌﻳﻳﻥPOST .14
( )ﺗﺣﻛﻡ ﺍﻟﺑﺎﻧﻭﺭﺍﻣﺎPAN .16
( )ﺯﺭ ﺇﺳﻛﺎﺕ ﺍﻟﻘﻧﺎﺓMUTE .17
.(SOLO MODE )ﺍﻧﻈﺮPFL
(MIX )ﺯﺭ ﺗﻌﻳﻳﻥMIX .18
(GROUPS 1-2 91. 2-1 )ﺯﺭ ﺗﻌﻳﻳﻥ
( )ﻛﺎﺷﻑ ﺍﻟﻘﻣﺔPEAK .20
( )ﺯﺭ ﺍﻟﺗﻧﺷﻳﻁ ﺍﻟﻣﺳﻣﻭﻉ ﻣﺳﺑﻘﺎSOLO .21
.ﺃﻳﺿﺎ ﻓﻲ ﺍﻟﻣﺯﻳﺩ ﻣﻥ ﺍﻟﻘﻧﻭﺍﺕ ﻓﻲ ﻧﻔﺱ ﺍﻟﻭﻗﺕ
( )ﻣﺩﺧﻝ ﺧﻁ ﻳﺳﺎﺭLINE L/MONO .24
(R )ﻣﺩﺧﻝ ﺧﻁLINE R .25