SYNQ SMP 16.42 Manual De Instrucciones página 5

ENGLISH
8. PAN /BAL CONTROL
PAN (Mono Channel)
This control pans the channel signal across the master L and R busses, thus determining the perceived
position of the sound from that channel in the output stereo sound field. If a PAN control is set all the way to
the left, for example, the sound from that channel will be heard from the left speaker system only.
If it is set all the way to the right, the sound will be heard from the right speaker system only.
Intermediate settings will cause the sound to appear at corresponding locations in the stereo sound field.
BALANCE (Stereo Channel)
This control adjusts the balance or the L/R position of the stereo input signal.
Turning the BALANCE control to the left moves the apparent source toward the MAIN MIX L bus, turning it to
the right moves the source toward the MAIN MIX R bus.
9. MUTE SWITCH
The mute function is on when the button is pressed in. This cuts all the signal feeds that are normally sent to
the MAIN L/R outputs, to GROUP1-2/3-4,to the AUX and the EFX busses. The switch lights up orange to
indicate that the mute function is on.
10. PFL INDICATOR
This indicator lights up when the PFL switch is turned
on.
11. PFL SWITCH
When this switch is depressed, the channel input signal
can be routed to the PFL bus.
This switch allows you to monitor the pre-fader channel
input signal through the headphone outputs and the
control room outputs.
12. ASSIGN SWITCHES
Use these switches to send the channel's signal to the
Group1-2 , Group 3-4 and/or MAIN L/R busses. When
the switch is in its down position (on), the signal will be
send to the corresponding group busses.
13. CHANNEL FADER
This is the channel's main level control. It determines
the level of the signal that is sent from the channel to
the master mixing, group outs and post fader effect
busses. It is the settings of the input channel faders that
determine the mix, or the balance of sound levels
between the instruments or other sources connected to
the inputs. When a channel is not being used, its fader
should be set at the minimum position to prevent the
addition of unwanted noise to the main program signal.
MAIN CONTROL SECTION
1. DSP PROGRAM DISPLAY
The selected DSP effect number is shown on the display.
2. DSP PROGRAM SELECT SWITCH
Turn the program knob to select one of the 100 built-in
digital effects. The 24 Bit Digital Effects processor
provides high quality effects like Delay, Chorus and
Reverb.
3. AUX PRE CONTROL
Adjust the level of the signal sent from the internal
Digital effect to the AUX1 and AUX2 busses. Like this
you can also send for example some effect into your
stage monitors
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4. DSP ON/OFF SWITCH
This switch turns the internal digital effect on/off.
5. PFL SWITCH
Set this switch on if you wish to output the effect signal to the PFL bus.
6. PFL INDICATOR
This indicator lights when the PFL switch is turned on.
7. ASSIGN SWITCHES
Use these switches to send the effect's signal to the Group1-2 , Group 3-4 and/or MAIN L/R busses. When
the switch is in its down position (on), the signal will be send to the corresponding group busses.
8. EFX RTN Fader
Adjust the level of the signal sent from the internal digital effect to the MAIN and GROUP buses.
9. GROUP FADER (1-2, 3-4)
This fader adjusts the output level of the GROUPS.
10. TO MAIN SWITCH
If this switch is on, the mixer sends the signals processed by the GROUP faders onto the MAIN L/R bus.
The Group 1/3 signals are sent to MAIN L and the Group 2/4 signals are sent to MAIN R.
11. MAIN L/R MASTER FADER
Adjusts the final output level of the MAIN L/R OUTPUTS.
12. RETURN CONTROL
• AUX1 and AUX2 Control
Adjust the level of the signal coming from the RETURN jacks (L (MONO) and R), routed to the AUX1 and
AUX2 Busses.
• MAIN L/R Control
Adjusts the level of the signal coming from the RETURN jacks (L (MONO) and R), routed to the MAIN L/R
bus.
13. MASTER AUX/FX SEND
• AUX1 and AUX2 Control
Controls the general output level of all the AUX1 / AUX2 channel signals, that will be sent to the AUX1 SEND
and AUX2 SEND jack outputs.
• EFX Control
Controls the general output level of all the EFX channel signals, that will be sent to the EFFECT unit and to
the EFX jack output.
Remark: if this level is set to zero, no audio signal will be sent to the effect unit.
14. TAPE IN PFL INDICATOR
This indicator lights when the TAPE IN PFL switch is turned on
15. TAPE IN PFL SWITCH
Set this switch on if you wish to output the TAPE IN signal to the PFL bus
16. TAPE IN CONTROL
This knob controls the level of the playback signal that is coming from the TAPE IN RCA connectors, and
that will be routed to the MAIN L/R output.
17. LEVEL METER SIGNAL SWITCHES
These level-meter switches, together with the channel PFL switches, select the signal that is sent to the
CONTROL ROOM OUT jacks, the HEADPHONE jack, and the LEVEL METER.

If the input channel's PFL switch is on
CONTROL ROOM OUT jacks, the HEADPHONE jack, and the LEVEL METER.
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, then only the channel's PFL output is sent to the
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