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100-120 VAC 50/60 Hz 100 mA
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1.Mic/Line Level Output Switch: Sets output to microphone or line
level.
2.Phantom Power Switch: Adds 12–volt phantom power to all in-
puts set to MIC. Use DIP switch 7 to increase voltage to 48 volts
(see DIP Switches).
3.Mic/Line Level Input Switches 1–6: Sets input to microphone
or line level. Phantom power is disabled for inputs set to LINE.
4.M267/M367 Mix Bus Level Switch: Set to M267 when connect-
ing to a Shure M267, FP42, FP51, M67, or SE30. Use the M367
setting with another M367 or a Shure FP32A.
Unless required, leave the mix bus LEVEL switch in the M367
position. The M267 setting may increase mixer output noise
up to 30 dB, depending on the MASTER output setting.
5.Mix Bus Jack: Allows you to connect the M367 to another mixer.
The mix bus connection is "two–way" and pre–master. When two
M367 mixers are connected, all 12 inputs appear at both mixers'
outputs. The MASTER gain control of either M367 can be ad-
justed without affecting the other mixer's output.
NOTE: The output level of each M367 mixer drops by 6 dB when
connected through the MIX BUS. Increase the Master Gain to
compensate.
For a balanced mix bus connection between two M367s, use a
1
mix bus cable with two
/
4
connecting other types of Shure mixers, construct a mix bus
1
cable with a
/
" mono phone plug (tip = signal, sleeve = ground)
4
and the appropriate connector for the other mixer's mix bus jack
(see Figure 3).
REAR PANEL CONNECTORS AND CONTROLS
1
MIC LINE PHANTOM
OFF
ON
LINE
MONITOR
IN
OUTPUT
8
10
REAR PANEL CONNECTORS AND CONTROLS
IMPORTANT
" stereo (tip, ring, sleeve) plugs. When
2
3
MIC LINE
MIC
LINE
MIC
LINE
6
5
4
7
FIGURE 2
TO M367 #1
TO M367
6.Channel Inputs: These female XLR inputs are transformer–bal-
anced to provide superior rejection of hum, RFI, and other inter-
ference.
7.Monitor In Jack: Accepts mono line–level signals (tip = signal,
sleeve = ground) for "tape return" or a communications channel
input. See Pull/Monitor switch description.
You can also modify the MONITOR IN jack to accept a stereo in-
put and provide a stereo sum monitor signal (see Internal Modifi-
able Functions).
8.Mixer Output: These male XLR outputs are transformer–bal-
anced. The Line output is preset to line level, but can be modified
to a true 600Ω output impedance or changed to microphone level
(see Internal Modifiable Functions).
9.Power Connector: See AC Operation.
10.Time Delay Fuses: The slide–out compartment contains two
power line fuses. The outer (toward you) is a spare.
M367: 0.125A, 250V fuse
M367E: 0.063A, 250V fuse
For continued protection against fire, replace with the same
type and rating of fuse.
4
MIC
LINE
MIC
LINE
MIC
3
2
INPUT
6
BALANCED
Ä Ä Ä
UNBALANCED
Ä Ä
N.C.
MIX BUS CONNECTIONS
FIGURE 3
WARNING
LEVEL
LINE
M267 M367
MIX
1
BUS
5
TO M367 #2
TO M267
3
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