11. Mic Inputs 1–2 (XLR / 1/4"/6.35 mm, TS): Connect microphones or line-level devices to these
mono inputs. Their mono audio signals are split and routed directly to the stereo program mix
and cue channel. If you prefer a stereo line input, the Session In may be used.
12. Line/Mic Selector: Set this switch to the appropriate position, depending on the device
connected to Mic Inputs 1–2. If you are using a microphone, set this switch to Mic. If you are
using a line-level device, such as a keyboard or sampler, set this switch to Line.
13. Twelve/Controller USB Ports (USB Type-A): Use USB cables to connect these USB ports to
your controllers such as Twelve or a standard USB MIDI controller.
Important: Do not connect USB drives to these ports. Switching the Deck Source knob will
force eject the drive from the connected computer, which could damage the contents and
should be avoided.
14. USB Ports (USB Type-B): Use USB cables to connect these USB ports to available USB ports
on your computer. These connections send and receive audio and MIDI control information to
and from the computer.
Note: Make sure you have downloaded and installed the Rane Control Panel from
dj.rane.com.
Front Panel
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1.
Headphone Outputs (1/4", 1/8" / 6.35 mm, 3.5 mm, TRS): Connect your 1/4" or 1/8" (6.35 mm
or 3.5 mm) headphones to this output for cueing and mix monitoring.
2.
Mic 2 On: When set to On, the Mic 2 Input on the rear panel is active, and its audio signal is
routed directly to the program mix and cue mix. When set to Off, the Mic 2 Input is disabled.
3.
Mic 2 Level: Turn this knob to adjust the gain of the Mic 2 Input.
4.
Mic 2 Tone: Turn this knob to adjust the balance of low (bass) and high (treble) frequencies of
the audio signal coming from the Mic 2 Input.
5.
Mic 1 Echo: Turn this knob to adjust the amount of the echo effect on the Mic 1 Input signal.
Press the Mic 1 Echo button on the top panel to activate or deactivate this effect.
6.
Tension Knob: Use this knob to adjust the tension of the Crossfader. Turn the knob to the left to
loosen the crossfader for a lighter feel and to the right to tighten the crossfader for a heavier feel.
7.
Contour Controls: Adjusts the slope of the crossfader curve. Turn the knob to the left for a
smooth fade (mixing) or to the right for a sharp cut (scratching). The center position is a typical
setting for club performances.
8.
Fader Reverse: Set this switch to On to reverse the direction ("polarity") of the corresponding
fader. Set it to Off to use the conventional fader polarity.
9.
Deck Swap: Set this switch to On position to swap the left and right Channel Faders as
controlled by Seventy-Two MKII. Set it to Off to use the conventional deck configuration.
10. Footswitch Input (1/4"/6.35 mm, TRS): Connect a footswitch here, which you can use to
activate or deactivate effects. You can assign this to other functions, as well. This input
supports a three-switch footswitch with passive-contact closure.
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