Connecting To Unbalanced Inputs; C411 Iiil; Connecting To Balanced Inputs - AKG Acoustics C411 III L Modo De Empleo

INTERFAcINg

3.1.2 Connecting to Unbalanced Inputs

C411 PP
III
Connecting to
You may connect any AKG phantom power supply (2) to an unbal-
unbalanced
inputs
anced input, too.
Use a cable (3) with a female XLR connector and TS jack plug:
1
MPA Phantom
2
3
1
Figure 2: Connecting to unbalanced inputs
1) On the XLR connector (4), use a wire bridge to connect pin 1
to pin 3 and the cable shield.
2) Connect the inside wire of the cable to pin 2 on the XLR
connector (4) and the tip contact of the jack plug (5).
Unbalanced cables may pick up interference from stray magnetic
fields near power or lighting cables, electric motors, etc. like an
antenna. This may introduce hum or similar noise if you use a cable
that is longer than 16 feet (5 m).
3.2 C411 L
III
The optional B23 L battery supply allows you to connect the pickup
to balanced or unbalanced inputs with no phantom power.
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INPUT 1 INPUT 2
2 4 5
3
T
S
S
C411 MANUAL
III

3.2.1 Connecting to Balanced Inputs

INPUT 3 INPUT 4
T
3.2.2 Connecting to Unbalanced Inputs
C411
2
1
B23 L
4
2
3
1
Figure 3: Using the B23 L to power the microphone
Connecting the cable: Push the mini XLR connector (1) on
1)
the pickup cable into one of the two mini XLR sockets on the
B23 L (2) to the stop.
The connector will lock automatically.
Disconnecting the cable: To disconnect the cable, press the
unlocking button on the mini XLR connector (1) and pull the
connector (1) out of the socket.
To avoid damaging the cable, never try to pull out the cable itself!
2) Connect the B 23 L (2) to the desired input.
Use a commercial XLR cable (3) to connect the B23 L (2) to a
balanced input.
Refer to section 3.1.2.
MANUAL
III
INTERFAcINg
C411
Connecting
to balanced
inputs
3
INPUT 1 INPUT 2 INPUT 3 INPUT 4
5
T
S T
S
C411
Connecting to
unbalanced
inputs
L
III
L
III
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