Roland KR111-PE Manual De Instrucciones

R
602.00.0160 RES 508-05 Printed in Italy 1-06 Addendum KR111-PE - E/Sp/F
Addendum
Changes resulting from software improvements
Kindly take note of the following amendments to the KR111-PE's functions, which are not mentioned in the
current version of the owner's manual.
Step (5) on p. 26
(5) If necessary, change the song tempo with the Tempo
[+][–] buttons.
→ Please delete the following sentence in the explana-
tion after step (5):
Furthermore, each time you jump to the beginning or
another position of the song using [|√¥Reset], [√√¥Bwd] or
[Fwd¥®®], the programmed song tempo is reset.
"Fast Forward, Rewind, and Reset", p. 26
→ The third bullet should read:
• Press [|√¥Reset] to jump back to the first measure of
the song. [Delete the second sentence.]
→ Please also delete the second note:
Note: By pressing [|√¥Reset], [√√¥Bwd] or [Fwd¥®®], you also recall
the song's preprogrammed tempo value.
"Solo recording mode", p. 31
→ One step needs to be added after step (1). This leads to
the following changes:
(1) Press the [REC¥∏] button (its indicator flashes).
(illustration)
[Change...] The display now looks as follows:
[...to...]
(2) Press [√][®] to make the display look as follows.
Solo
120
=
The icon and the icon of the first empty track
RECORD
flash. ...
[Step (2) on p. 31 therefore becomes step (3), etc.]
"MIDI parameters (Local, Tx Chnl, Send PC, Send LSB,
Send MSB)", p. 46
→ Two Function parameters have been added before
this entry:
I TPR (Temperament)—(User, Equal, Werkmeist, Kirnberg,
Meantone, Pythagor, Just Maj, Just Min, Arabic, Default set-
ting: Equal) You can play classical styles such as Baroque
using historic temperaments (tuning methods). Most modern
songs are composed for and played in equal temperament,
the most common tuning in use today. But at one time, there
were a wide variety of other tuning systems in existence. By
playing in the temperament that was in use when a composi-
tion was created, you can experience the sonorities of chords
originally intended for that song.
You can choose from among the eight tunings described
below.
User This is the setting you programmed with the
"Scale C"~"Scale B" parameters.
Equal This temperament divides the octave into 12
equal parts. All intervals will be slightly out of
tune by the same amount. This setting is in
effect when you turn on the power.
Werkmeister This temperament is a combination of mean-
tone and Pythagorean temperaments. It
allows you to play in all keys. (First method,
number three.)
Kirnberger This temperament is a modification of mean-
tone temperament and just intonation,
allowing more freedom of modulation. Per-
formances are possible in all keys (III).
Mean Tone This temperament is a partial compromise of
just intonation in order to allow modulation.
Pythagor This temperament is based on the theories of
the Greek philosopher Pythagoras, and has
pure fourths and fifths. Chords containing a
third will sound impure, but melodies will
sound good.
Just (Maj) This temperament makes the 5th and 3rd
intervals pure. It is unsuited to playing melo-
dies and cannot be transposed, but is capable
of beautiful sonorities.
Just (min) Just intonation differs between major and
minor keys. The same results as major can be
obtained in a minor key.
Arabic This tuning is suitable for the music of Arabia.
I Key—(C~B) When playing in a temperament other than
equal temperament, you must specify the tonic (the note
corresponding to C for a major key, or to A for a minor key) of
the key in which you will play. If you have selected equal
temperament, there is no need to select the tonic.