Effects Parameters - Yamaha QL5 Manual De Referencia

Title Type
Delay→Er. DELAY→ER. Delay and early reflections in series
Delay+Rev DELAY+REV Delay and reverb in parallel
Delay→Rev DELAY→REV Delay and reverb in series
Dist→Delay DIST→DELAY Distortion and delay in series
Multi Filter MULTI FILTER 3-band parallel filter (24 dB/octave)
Freeze FREEZE Simple sampler
Distortion DISTORTION Distortion
Amp Simulate AMP SIMULATE Guitar amp simulation
This compressor emulates the characteristics of an analog compressor that has
Comp276 COMP276
become a sought-after classic in recording studios.
Comp276S COMP276S This is a stereo model of COMP276.
This compressor emulates the characteristics of a compressor/limiter of the latter
Comp260 COMP260
1970s that has become a sought-after classic for live SR.
Comp260S COMP260S This is a stereo model of the COMP260.
This equalizer emulates the characteristics of an analog equalizer of the 1970s. It
Equalizer601 EQUALIZER601
can be used to obtain a sense of drive.
This is a tape saturation effect that emulates the tape compression produced by
OpenDeck OPENDECK
two open-reel tape recorders: a recording deck and a reproduction deck.
M.Band Dyna. M.BAND DYNA. Multi-band dynamics processor
M.Band Comp M.BAND COMP Multi-band compressor
Description

Effects Parameters

I REV-X HALL, REV-X ROOM, REV-X PLATE
Newly-developed two input, two output reverb algorithm. Delivers dense and rich
reverberation, smooth decay, and provides a spaciousness and depth that enhances the
original sound. Choose from three types depending on your location and needs; REV-X
HALL, REV-X ROOM, and REV-X PLATE.
Parameter Range
*1
REV TIME Reverb time
0.28–27.94 s
INI. DLY 0.0–120.0 ms Initial delay before reverb begins
HI. RATIO 0.1–1.0 High-frequency reverb time ratio
LO. RATIO 0.1–1.4 Low-frequency reverb time ratio
LO.FREQ 22.0 Hz–18.0 kHz Frequency point for LO.RATIO setting
DIFF. 0–10 Reverb diffusion (left-right reverb spread)
ROOM SIZE 0–28 Size of room
DECAY 0–53 Gate closing speed
HPF THRU, 22.0 Hz–8.00 kHz High-pass filter cutoff frequency
1.00 kHz–18.0 kHz,
LPF Low-pass filter cutoff frequency
THRU
*1. These values are for when the effect type is REV-X HALL and the ROOM SIZE=28. The range will differ depending
on the effect type and ROOM SIZE setting.
I REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE
One input, two output hall, room, stage, and plate reverb simulations, all with gates.
Parameter Range
REV TIME 0.3–99.0 s Reverb time
INI. DLY 0.0–500.0 ms Initial delay before reverb begins
HI. RATIO 0.1–1.0 High-frequency reverb time ratio
LO. RATIO 0.1–2.4 Low-frequency reverb time ratio
DIFF. 0–10 Reverb diffusion (left-right reverb spread)
DENSITY 0–100% Reverb density
E/R DLY 0.0–100.0 ms Delay between early reflections and reverb
Balance of early reflections and reverb
E/R BAL. 0–100%
(0% = all reverb, 100% = all early reflections)
HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency
LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency
GATE LVL OFF, –60 to 0 dB Level at which gate kicks in
ATTACK 0–120 ms Gate opening speed
*1
HOLD Gate open time
*2
DECAY Gate closing speed
*1. 0.02 ms–2.13 s (fs=44.1 kHz), 0.02 ms–1.96 s (fs=48 kHz)
*2. 6.0 ms–46.0 s (fs=44.1 kHz), 5.0 ms–42.3 s (fs=48 kHz)
8
Description
Description
Data List