Effects Parameters - Yamaha QL5 Manual De Referencia

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Title
Type
Delay→Er.
DELAY→ER.
Delay and early reflections in series
Delay+Rev
DELAY+REV
Delay and reverb in parallel
Delay→Rev
DELAY→REV
Delay and reverb in series
Dist→Delay
DIST→DELAY
Distortion and delay in series
Multi Filter
MULTI FILTER
3-band parallel filter (24 dB/octave)
Freeze
FREEZE
Simple sampler
Distortion
DISTORTION
Distortion
Amp Simulate
AMP SIMULATE
Guitar amp simulation
This compressor emulates the characteristics of an analog compressor that has
Comp276
COMP276
become a sought-after classic in recording studios.
Comp276S
COMP276S
This is a stereo model of COMP276.
This compressor emulates the characteristics of a compressor/limiter of the latter
Comp260
COMP260
1970s that has become a sought-after classic for live SR.
Comp260S
COMP260S
This is a stereo model of the COMP260.
This equalizer emulates the characteristics of an analog equalizer of the 1970s. It
Equalizer601
EQUALIZER601
can be used to obtain a sense of drive.
This is a tape saturation effect that emulates the tape compression produced by
OpenDeck
OPENDECK
two open-reel tape recorders: a recording deck and a reproduction deck.
M.Band Dyna.
M.BAND DYNA.
Multi-band dynamics processor
M.Band Comp M.BAND COMP Multi-band compressor
Description

Effects Parameters

I REV-X HALL, REV-X ROOM, REV-X PLATE
Newly-developed two input, two output reverb algorithm. Delivers dense and rich
reverberation, smooth decay, and provides a spaciousness and depth that enhances the
original sound. Choose from three types depending on your location and needs; REV-X
HALL, REV-X ROOM, and REV-X PLATE.
Parameter
Range
*1
REV TIME
Reverb time
0.28–27.94 s
INI. DLY
0.0–120.0 ms
Initial delay before reverb begins
HI. RATIO
0.1–1.0
High-frequency reverb time ratio
LO. RATIO
0.1–1.4
Low-frequency reverb time ratio
LO.FREQ
22.0 Hz–18.0 kHz
Frequency point for LO.RATIO setting
DIFF.
0–10
Reverb diffusion (left-right reverb spread)
ROOM SIZE 0–28
Size of room
DECAY
0–53
Gate closing speed
HPF
THRU, 22.0 Hz–8.00 kHz
High-pass filter cutoff frequency
1.00 kHz–18.0 kHz,
LPF
Low-pass filter cutoff frequency
THRU
*1. These values are for when the effect type is REV-X HALL and the ROOM SIZE=28. The range will differ depending
on the effect type and ROOM SIZE setting.
I REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE
One input, two output hall, room, stage, and plate reverb simulations, all with gates.
Parameter
Range
REV TIME
0.3–99.0 s
Reverb time
INI. DLY
0.0–500.0 ms
Initial delay before reverb begins
HI. RATIO
0.1–1.0
High-frequency reverb time ratio
LO. RATIO
0.1–2.4
Low-frequency reverb time ratio
DIFF.
0–10
Reverb diffusion (left-right reverb spread)
DENSITY
0–100%
Reverb density
E/R DLY
0.0–100.0 ms
Delay between early reflections and reverb
Balance of early reflections and reverb
E/R BAL.
0–100%
(0% = all reverb, 100% = all early reflections)
HPF
THRU, 21.2 Hz–8.00 kHz
High-pass filter cutoff frequency
LPF
50.0 Hz–16.0 kHz, THRU
Low-pass filter cutoff frequency
GATE LVL
OFF, –60 to 0 dB
Level at which gate kicks in
ATTACK
0–120 ms
Gate opening speed
*1
HOLD
Gate open time
*2
DECAY
Gate closing speed
*1. 0.02 ms–2.13 s (fs=44.1 kHz), 0.02 ms–1.96 s (fs=48 kHz)
*2. 6.0 ms–46.0 s (fs=44.1 kHz), 5.0 ms–42.3 s (fs=48 kHz)
8
Description
Description
Data List

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