Yamaha QL5 Manual De Referencia página 279

Ocultar thumbs Ver también para QL5:
Tabla de contenido

Publicidad

I DIST→DELAY
One input, two output distortion and delay effects in series.
Parameter
Range
DST1, DST2, OVD1,
DST TYPE
Distortion type (DST = distortion, OVD = overdrive)
OVD2, CRUNCH
DRIVE
0–100
Distortion drive
MASTER
0–100
Master volume
TONE
–10 to +10
Tone control
N. GATE
0–20
Noise reduction
SYNC
OFF/ON
Tempo parameter sync on/off
*1
DLY.NOTE
Used in conjunction with TEMPO to determine DELAY
*2
MOD.NOTE
Used in conjunction with TEMPO to determine FREQ
DELAY
0.0–2725.0 ms
Delay time
Feedback gain (plus values for normal-phase feedback, minus values for
FB. GAIN
–99 to +99%
reverse-phase feedback)
HI. RATIO
0.1–1.0
High-frequency feedback ratio
FREQ.
0.05–40.00 Hz
Modulation speed
DEPTH
0–100%
Modulation depth
Distortion and delay balance
DLY.BAL
0–100%
(0% = all distortion, 100% = all delayed distortion)
*1.
setting)
*2.
I MULTI FILTER
Two input, two output 3-band multi-filter (24 dB/octave).
Parameter
Range
TYPE 1
LPF, HPF, BPF
Filter 1 type: high pass, low pass, band pass
FREQ. 1
28.0 Hz–16.0 kHz
Filter 1 frequency
LEVEL 1
0–100
Filter 1 level
RESO. 1
0–20
Filter 1 resonance
TYPE 2
LPF, HPF, BPF
Filter 2 type: high pass, low pass, band pass
FREQ. 2
28.0 Hz–16.0 kHz
Filter 2 frequency
LEVEL 2
0–100
Filter 2 level
RESO. 2
0–20
Filter 2 resonance
TYPE 3
LPF, HPF, BPF
Filter 3 type: high pass, low pass, band pass
FREQ. 3
28.0 Hz–16.0 kHz
Filter 3 frequency
LEVEL 3
0–100
Filter 3 level
RESO. 3
0–20
Filter 3 resonance
Description
(Maximum value depends on the tempo
Description
17
I FREEZE
One input, two output basic sampler.
Parameter
Range
In MANUAL mode, recording is started by pressing the REC and PLAY
REC MODE MANUAL, INPUT
buttons. In INPUT mode, Record-Ready mode is engaged by pressing the
REC button, and actual recording is triggered by the input signal.
Recording delay.
REC DLY
–1000 to +1000 ms
For plus values, recording starts after the trigger is received. For minus
values, recording starts before the trigger is received.
In MOMENT mode, the sample plays only while the PLAY button is
MOMENT, CONTI.,
pressed. In CONT mode, playback continues once the PLAY button has
PLY MODE
INPUT
been pressed. The number of times the sample plays is set using the LOOP
NUM parameter. In INPUT mode, playback is triggered by the input signal.
Input trigger level (i.e., the signal level required to trigger recording or
TRG LVL
–60 to 0 dB
playback)
Once playback has been triggered, subsequent triggers are ignored for the
TRG MASK 0–1000 ms
duration of the TRG MASK time.
*1
START
Playback start point in milliseconds
END
Playback end point in milliseconds
*1
LOOP
Loop start point in milliseconds
*1
LOOP
0–100
Number of times the sample plays
NUM
PITCH
–12 to +12 semitones
Playback pitch shift
FINE
–50 to +50 cents
Playback pitch shift fine
MIDI TRG
OFF, C1–C6, ALL
The PLAY button can be triggered by using MIDI Note on/off messages.
START
0–131000
Playback start point in samples
[SAMPLE]
END
0–131000
Playback end point in samples
[SAMPLE]
LOOP
0–131000
Loop start point in samples
[SAMPLE]
*1. 0.0–5941.0 ms (fs=44.1 kHz), 0.0 ms–5458.3 ms (fs=48 kHz)
I DISTORTION
One input, two output distortion effect.
Parameter
Range
DST1, DST2, OVD1,
DST TYPE
Distortion type (DST = distortion, OVD = overdrive)
OVD2, CRUNCH
DRIVE
0–100
Distortion drive
MASTER
0–100
Master volume
TONE
–10 to +10
Tone control
N. GATE
0–20
Noise reduction
Description
Description
Data List

Publicidad

Capítulos

Tabla de contenido
loading

Este manual también es adecuado para:

Ql1

Tabla de contenido