Roland JV-1010 Manual Del Usuario página 83

4. Supplementary Material
I Correspondence of the EFX algorithm and
Exclusive Address (EFX Parameter 1–12)
EFX | Parameter
———————+————————————————————————————————+———————————————————————
G Type01: STEREO-EQ
———————+————————————————————————————————+———————————————————————
prm1 | Low Frequency
prm2 | Low Gain
prm3 | High Frequency
prm4 | Hi Gain
prm5 | Peaking1 Frequency
prm6 | Peaking1 Q
prm7 | Peaking1 Gain
prm8 | Peaking2 Frequency
prm9 | Peaking2 Q
prm10 | Peaking2 Gain
prm11 | Level
G Type02: OVERDRIVE
———————+————————————————————————————————+———————————————————————
prm1 | Drive
prm2 | Output Pan
prm3 | Amp Simulator Type
prm4 | Low Gain
prm5 | High Gain
prm6 | Output Level
G Type03: DISTORTION
———————+————————————————————————————————+———————————————————————
prm1 | Drive
prm2 | Output Pan
prm3 | Amp Simulator Type
prm4 | Low Gain
prm5 | High Gain
prm6 | Output Level
G Type04: PHASER
———————+————————————————————————————————+———————————————————————
prm1 | Manual
prm2 | Rate
prm3 | Depth
prm4 | Resonance
prm5 | Mix Level
prm6 | Output Pan
prm7 | Output Level
G Type05: SPECTRUM
———————+————————————————————————————————+———————————————————————
prm1 | Band1 Gain
prm2 | Band2 Gain
prm3 | Band3 Gain
prm4 | Band4 Gain
prm5 | Band5 Gain
prm6 | Band6 Gain
prm7 | Band7 Gain
prm8 | Band8 Gain
prm9 | Q
prm10 | Output Pan
prm11 | Output Level
G Type06: ENHANCER
———————+————————————————————————————————+———————————————————————
prm1 | Sens
prm2 | Mix Level
prm3 | Low Gain
prm4 | High Gain
prm5 | Output Level
G Type07: AUTO-WAH
———————+————————————————————————————————+———————————————————————
prm1 | Filter Type
prm2 | Rate
prm3 | Depth
prm4 | Sens
prm5 | Manual
prm6 | Peak
prm7 | Output Level
G Type08: ROTARY
———————+————————————————————————————————+———————————————————————
prm1 | High Frequency Slow Rate
prm2 | Low Frequency Slow Rate
prm3 | High Frequency Fast Rate
prm4 | Low Frequency Fast Rate
prm5 | Speed
prm6 | High Frequency Acceleration
prm7 | Low Frequency Acceleration
prm8 | High Frequency Level
prm9 | Low Frequency Level
prm10 | Separation
prm11 | Output Level
| Value
| 0 - 1
| 0 - 30
| 0 - 1
| 0 - 30
| 0 - 16
| 0 - 4
| 0 - 30
| 0 - 16
| 0 - 4
| 0 - 30
| 0 - 127
| 0 - 127
| 0 - 127
| 0 - 3
| 0 - 30
| 0 - 30
| 0 - 127
| 0 - 127
| 0 - 127
| 0 - 3
| 0 - 30
| 0 - 30
| 0 - 127
| 0 - 125
| 0 - 125
| 0 - 127
| 0 - 127
| 0 - 127
| 0 - 127
| 0 - 127
| 0 - 30
| 0 - 30
| 0 - 30
| 0 - 30
| 0 - 30
| 0 - 30
| 0 - 30
| 0 - 30
| 0 - 4
| 0 - 127
| 0 - 127
| 0 - 127
| 0 - 127
| 0 - 30
| 0 - 30
| 0 - 127
| 0 - 1
| 0 - 125
| 0 - 127
| 0 - 127
| 0 - 127
| 0 - 127
| 0 - 127
| 0 - 125
| 0 - 125
| 0 - 125
| 0 - 125
| 0 - 1
| 0 - 15
| 0 - 15
| 0 - 127
| 0 - 127
| 0 - 127
| 0 - 127
G Type09: COMPRESSOR
———————+————————————————————————————————+———————————————————————
prm1 | Sustain
prm2 | Attack
prm3 | Output Pan
prm4 | Post Gain
prm5 | Low Gain
prm6 | HiGH Gain
prm7 | Output Level
G Type10: LIMITER
———————+————————————————————————————————+———————————————————————
prm1 | Threshold Level
prm2 | Release Time
prm3 | Compression Ratio
prm4 | Output Pan
prm5 | Post Gain
prm6 | Low Gain
prm7 | High Gain
prm8 | Output Level
G Type11: HEXA-CHORUS
———————+————————————————————————————————+———————————————————————
prm1 | Pre Delay Time
prm2 | Rate
prm3 | Depth
prm4 | Pre Delay Deviation
prm5 | Depth Deviation
prm6 | Pan Deviation
prm7 | Effect Balance
prm8 | Output Level
G Type12: TREMOLO-CHORUS
———————+————————————————————————————————+———————————————————————
prm1 | Pre Delay Time
prm2 | Chorus Rate
prm3 | Chorus Depth
prm4 | Tremolo Rate
prm5 | Tremolo Separation
prm6 | Tremolo Phase
prm7 | Effect Balance
prm8 | Output Level
G Type13: SPACE-D
———————+————————————————————————————————+———————————————————————
prm1 | Pre Delay Time
prm2 | Rate
prm3 | Depth
prm4 | Phase
prm5 | Low Gain
prm6 | High Gain
prm7 | Effect Balance
prm8 | Output Level
G Type14: STEREO-CHORUS
———————+————————————————————————————————+———————————————————————
prm1 | Filter Type
prm2 | Cutoff Frequency
prm3 | Pre Delay Time
prm4 | Rate
prm5 | Depth
prm6 | Phase
prm7 | (not used)
prm8 | Low Gain
prm9 | High Gain
prm10 | Effect Balance
prm11 | Output Level
G Type15: STEREO-FLANGER
———————+————————————————————————————————+———————————————————————
prm1 | Filter Type
prm2 | Cutoff Frequency
prm3 | Pre Delay Time
prm4 | Rate
prm5 | Depth
prm6 | Phase
prm7 | Feedback Level
prm8 | Low Gain
prm9 | High Gain
prm10 | Effect Balance
prm11 | Output Level
G Type16: STEP-FLANGER
———————+————————————————————————————————+———————————————————————
prm1 | Pre Delay Time
prm2 | Rate
prm3 | Depth
prm4 | Feedback Level
prm5 | Step Rate
prm6 | Phase
prm7 | Low Gain
prm8 | High Gain
prm9 | Effect Balance
prm10 | Output Level
Aplicación MIDI
| 0 - 127
| 0 - 127
| 0 - 127
| 0 - 3
| 0 - 30
| 0 - 30
| 0 - 127
| 0 - 127
| 0 - 127
| 0 - 3
| 0 - 127
| 0 - 3
| 0 - 30
| 0 - 30
| 0 - 127
| 0 - 125
| 0 - 125
| 0 - 127
| 0 - 20
| 0 - 40
| 0 - 20
| 0 - 100
| 0 - 127
| 0 - 125
| 0 - 125
| 0 - 127
| 0 - 125
| 0 - 127
| 0 - 90
| 0 - 100
| 0 - 127
| 0 - 125
| 0 - 125
| 0 - 127
| 0 - 90
| 0 - 30
| 0 - 30
| 0 - 100
| 0 - 127
| 0 - 2
| 0 - 16
| 0 - 125
| 0 - 125
| 0 - 127
| 0 - 90
|
| 0 - 30
| 0 - 30
| 0 - 100
| 0 - 127
| 0 - 2
| 0 - 16
| 0 - 125
| 0 - 125
| 0 - 127
| 0 - 90
| 0 - 98
| 0 - 30
| 0 - 30
| 0 - 100
| 0 - 127
| 0 - 125
| 0 - 125
| 0 - 127
| 0 - 98
| 0 - 125
| 0 - 90
| 0 - 30
| 0 - 30
| 0 - 100
| 0 - 127
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