Aplicación MIDI
G Type17: STEREO-DELAY
———————+————————————————————————————————+———————————————————————
prm1
| Feedback Mode
prm2
| Delay Time Left
prm3
| Delay Time Right
prm4
| Feedback Phase Left
prm5
| Feedback Phase Right
prm6
| Feedback Level
prm7
| HF Damp
prm8
| Low Gain
prm9
| High Gain
prm10 | Effect Balance
prm11 | Output Level
G Type18: MODULATION-DELAY
———————+————————————————————————————————+———————————————————————
prm1
| Feedback Mode
prm2
| Delay Time Left
prm3
| Delay Time Right
prm4
| Feedback Level
prm5
| HF Damp
prm6
| Rate
prm7
| Depth
prm8
| Phase
prm9
| Low Gain
prm10 | High Gain
prm11 | Effect Balance
prm12 | Output Level
G Type19: TRIPLE-TAP-DELAY
———————+————————————————————————————————+———————————————————————
prm1
| Delay Time Left
prm2
| Delay Time Right
prm3
| Delay Time Center
prm4
| Feedback Level
prm5
| HF Damp
prm6
| Left Level
prm7
| Right Level
prm8
| Center Level
prm9
| Low Gain
prm10 | High Gain
prm11 | Effect Balance
prm12 | Output Level
G Type20: QUADRUPLE-TAP-DELAY
———————+————————————————————————————————+———————————————————————
prm1
| Delay Time 1
prm2
| Delay Time 2
prm3
| Delay Time 3
prm4
| Delay Time 4
prm5
| Level 1
prm6
| Level 2
prm7
| Level 3
prm8
| Level 4
prm9
| Feedback Level
prm10 | HF Damp
prm11 | Effect Balance
prm12 | Output Level
G Type21: TIME-CONTROL-DELAY
———————+————————————————————————————————+———————————————————————
prm1
| Delay Time
prm2
| Feedback Level
prm3
| Acceleration
prm4
| HF Damp
prm5
| Output Pan
prm6
| Low Gain
prm7
| High Gain
prm8
| Effect Balance
prm9
| Output Level
G Type22: 2VOICE-PITCH-SHIFTER
———————+————————————————————————————————+———————————————————————
prm1
| Pitch Shifter Mode
prm2
| Coarse Pitch A
prm3
| Coarse Pitch B
prm4
| Fine Pitch A
prm5
| Fine Pitch B
prm6
| Pre Delay Time A
prm7
| Pre Delay Time B
prm8
| Output Pan A
prm9
| Output Pan B
prm10 | Level Balance
prm11 | Effect Balance
prm12 | Output Level
G Type23: FBK-PITCH-SHIFTER
———————+————————————————————————————————+———————————————————————
prm1
| Pitch Shifter Mode
prm2
| Coarse Pitch
prm3
| Fine Pitch
prm4
| Pre Delay Time
prm5
| Feedback Level
prm6
| Output Pan
prm7
| Low Gain
prm8
| High Gain
prm9
| Effect Balance
prm10 | Output Level
84
| 0 - 1
| 0 - 126
| 0 - 126
| 0 - 1
| 0 - 1
| 0 - 98
| 0 - 17
| 0 - 30
| 0 - 30
| 0 - 100
| 0 - 127
| 0 - 1
| 0 - 126
| 0 - 126
| 0 - 98
| 0 - 17
| 0 - 125
| 0 - 127
| 0 - 90
| 0 - 30
| 0 - 30
| 0 - 100
| 0 - 127
| 0 - 125
| 0 - 125
| 0 - 125
| 0 - 98
| 0 - 17
| 0 - 127
| 0 - 127
| 0 - 127
| 0 - 30
| 0 - 30
| 0 - 100
| 0 - 127
| 0 - 125
| 0 - 125
| 0 - 125
| 0 - 125
| 0 - 127
| 0 - 127
| 0 - 127
| 0 - 127
| 0 - 98
| 0 - 17
| 0 - 100
| 0 - 127
| 0 - 120
| 0 - 98
| 0 - 15
| 0 - 17
| 0 - 127
| 0 - 30
| 0 - 30
| 0 - 100
| 0 - 127
| 0 - 4
| 0 - 36
| 0 - 36
| 0 - 100
| 0 - 100
| 0 - 126
| 0 - 126
| 0 - 127
| 0 - 127
| 0 - 100
| 0 - 100
| 0 - 127
| 0 - 4
| 0 - 36
| 0 - 100
| 0 - 126
| 0 - 98
| 0 - 127
| 0 - 30
| 0 - 30
| 0 - 100
| 0 - 127
G Type24: REVERB
———————+————————————————————————————————+———————————————————————
prm1
| Reverb Type
prm2
| Pre Delay Time
prm3
| Gate Time
prm4
| HF Damp
prm5
| Low Gain
prm6
| High Gain
prm7
| Effect Balance
prm8
| Output Level
G Type25: GATE-REVERB
———————+————————————————————————————————+———————————————————————
prm1
| Gate-Reverb Type
prm2
| Pre Delay Time
prm3
| Gate Time
prm4
| Low Gain
prm5
| High Gain
prm6
| Effect Balance
prm7
| Output Level
G Type26: OVERDRIVE
———————+————————————————————————————————+———————————————————————
prm1
| Drive
prm2
| Over Drive Pan
prm3
| Chorus Pre Delay Time
prm4
| Chorus Rate
prm5
| Chorus Depth
prm6
| (not used)
prm7
| Chorus Balance
prm8
| Output Level
G Type27: OVERDRIVE
———————+————————————————————————————————+———————————————————————
prm1
| Drive
prm2
| Over Drive Pan
prm3
| Flanger Pre Delay Time
prm4
| Flanger Rate
prm5
| Flanger Depth
prm6
| Flanger Feedback Level
prm7
| Flanger Balance
prm8
| Output Level
G Type28: OVERDRIVE
———————+————————————————————————————————+———————————————————————
prm1
| Drive
prm2
| Over Drive Pan
prm3
| Delay Time
prm4
| Delay Feedback Level
prm5
| Delay HF Damp
prm6
| Delay Balance
prm7
| Output Level
G Type29: DISTORTION
———————+————————————————————————————————+———————————————————————
prm1
| Distortion Drive
prm2
| Distortion Pan
prm3
| Chorus Pre Delay Time
prm4
| Chorus Rate
prm5
| Chorus Depth
prm6
| (not used)
prm7
| Chorus Balance
prm8
| Output Level
G Type30: DISTORTION
———————+————————————————————————————————+———————————————————————
prm1
| Distortion Drive
prm2
| Distortion Pan
prm3
| Flanger Pre Delay Time
prm4
| Flanger Rate
prm5
| Flanger Depth
prm6
| Flanger Feedback Level
prm7
| Flanger Balance
prm8
| Output Level
G Type31: DISTORTION
———————+————————————————————————————————+———————————————————————
prm1
| Distortion Drive
prm2
| Distortion Pan
prm3
| Delay Time
prm4
| Delay Feedback Level
prm5
| Delay HF Damp
prm6
| Delay Balance
prm7
| Output Level
G Type32: ENHANCER
———————+————————————————————————————————+———————————————————————
prm1
| Enhancer Sens
prm2
| Enhancer Mix Level
prm3
| Chorus Pre Delay Time
prm4
| Chorus Rate
prm5
| Chorus Depth
prm6
| (not used)
prm7
| Chorus Balance
prm8
| Output Level
| 0 - 5
| 0 - 125
| 0 - 127
| 0 - 17
| 0 - 30
| 0 - 30
| 0 - 100
| 0 - 127
| 0 - 3
| 0 - 125
| 0 - 99
| 0 - 30
| 0 - 30
| 0 - 100
| 0 - 127
→CHORUS (serial)
| 0 - 127
| 0 - 127
| 0 - 125
| 0 - 125
| 0 - 127
|
| 0 - 100
| 0 - 127
→FLANGER (serial)
| 0 - 127
| 0 - 127
| 0 - 125
| 0 - 125
| 0 - 127
| 0 - 98
| 0 - 100
| 0 - 127
→DELAY (serial)
| 0 - 127
| 0 - 127
| 0 - 126
| 0 - 98
| 0 - 17
| 0 - 100
| 0 - 127
→CHORUS (serial)
| 0 - 127
| 0 - 127
| 0 - 125
| 0 - 125
| 0 - 127
|
| 0 - 100
| 0 - 127
→FLANGER (serial)
| 0 - 127
| 0 - 127
| 0 - 125
| 0 - 125
| 0 - 127
| 0 - 98
| 0 - 100
| 0 - 127
→DELAY (serial)
| 0 - 127
| 0 - 127
| 0 - 126
| 0 - 98
| 0 - 17
| 0 - 100
| 0 - 127
→CHORUS (serial)
| 0 - 127
| 0 - 127
| 0 - 125
| 0 - 125
| 0 - 127
|
| 0 - 100
| 0 - 127