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18
DL16
Table 8: Routing for a three-unit setup with two consoles and DL16s in Standard mode, Standard +8 and Standard +16
DL16 #1
DL16 #2
DL16 #3
XLR inputs
XLR inputs
XLR inputs
1-8
9-16
1-8
9-16
1-8
1-8
9-16
17-24
DL16 #1 AES50 A out
(to console A)
25-32
33-40
41-48
1-8
9-16
DL16 #3 AES50 B out
17-24
(to console B)
25-32
33-40
41-48
XLR OUT
1-8
1-8
ADAT OUT
DL16 #1
9-16
ULTRANET
1-8
OUT
9-16
XLR OUT
1-8
1-8
ADAT OUT
DL16 #2
9-16
ULTRANET
1-8
OUT
9-16
XLR OUT
1-8
1-8
ADAT OUT
DL16 #3
9-16
ULTRANET
1-8
OUT
9-16
6.4 Three-unit daisy chain in Split mode with two consoles
The analog sources on stage can be converted to digital and sent directly to both Consoles A and B
console is used for monitoring or broadcast mixing and should work independently of Console A
boxes to both consoles
Console B's inputs are not dependent on Console A's output routing
,
Using the same setup as shown above
configure the first DL16 in Split 1
,
Fig. 4: Three-unit setup with two consoles and DL16s in Split 1.3, Split 2.3 and Split 3.3 modes
Console B
16 mic inputs
DL16 #3
(SPLIT 3.3)
16 mic inputs
DL16 #2
(SPLIT 2.3)
Console A
16 mic inputs
DL16 #1
(SPLIT 1.3)
DL16 #1 AES50 A in (from console A)
DL16 #3 AES50 B in (from console B)
9-16
1-8
9-16
17-24 25-32 33-40 41-48
1-8
9-16
17-24 25-32 33-41 41-48
+8
+16
+8
+16
+8
+16
This routing is useful
for example
when the second
.
,
,
Because the signals are duplicated and sent from the stage
.
.
3 mode
the second DL16 in Split 2
3 mode and the third DL16 in Split 3
.
,
.
8 XLR outputs
(Ch. 1-8 from console B)
8 XLR outputs
(Ch. 9-16 from console A)
8 XLR outputs
(Ch. 1-8 from console A)
Table 9: Routing for a three-unit setup with two consoles and DL16s in Split 1.3, Split 2.3 and Split 3.3 modes
1-8
9-16
17-24
DL16 #1 AES50 A out
(to console A)
25-32
33-40
41-48
1-8
9-16
DL16 #3 AES50 B out
17-24
(to console B)
25-32
33-40
41-48
XLR OUT
1-8
1-8
ADAT OUT
DL16 #1
9-16
ULTRANET
1-8
OUT
9-16
XLR OUT
1-8
1-8
ADAT OUT
DL16 #2
9-16
ULTRANET
1-8
OUT
9-16
XLR OUT
1-8
1-8
ADAT OUT
DL16 #3
9-16
ULTRANET
1-8
OUT
9-16
6.5 Two-unit daisy chain in standard mode with two consoles
The setup described in 6
4 can be simplified from three to two DL16s
.
NOTE
:
The second DL16 should be in Split 2
Fig. 5: Two-unit setup with two consoles and DL16s in Split 1.3 and Split 2.2 modes
3 mode
.
.
DL16 #1
DL16 #2
DL16 #3
DL16 #1 AES50 A in (from console A)
XLR inputs
XLR inputs
XLR inputs
1-8
9-16
1-8
9-16
1-8
9-16
1-8
9-16
17-24 25-32 33-40 41-48
.
2 mode instead of Split 2
3 mode
.
.
.
Console B
16 mic inputs
DL16 #2
(SPLIT 2.2)
Console A
16 mic inputs
DL16 #1
(SPLIT 1)
19
Quick Start Guide
DL16 #3 AES50 B in (from console B)
1-8
9-16
17-24 25-32 33-41 41-48
8 XLR outputs
(Ch. 1-8 from console B)
8 XLR outputs
(Ch. 1-8 from console A)
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