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14
DL16
5.7 Split 2.2
SP 2.2
In Split 2
2 mode
the 16 XLR inputs are routed to the AES50 B output channels 17
.
,
chain where the analog inputs on stage need to be sent to two different consoles
NOTE
:
The AES50 A routing assignments are the same in Split 2
3 and 2
.
mode
the 16 XLR inputs are instead routed to AES50 B output channels 33
,
Table 5: Split 2.2 mode routing
XLR in
AES50 A in
1-8
9-16
1-8
9-16
17-24
25-32
XLR out
1-8
1-8
ADAT out
9-16
1-8
ULTRANET
out
9-16
1-8
9-16
17-24
AES50 A out
25-32
33-40
41-48
1-8
9-16
17-24
AES50 B out
25-32
33-40
41-48
5.8 Master (44.1 kHz/48 kHz)
44.1
In Master mode
the DL16 can function as the word clock Master for the rest of digital devices communicating via ADAT
,
can be set at 48 kHz or 44
1 kHz
.
.
NOTE
:
The Slave DL16s must receive the word clock sync via the AES50 A port
5.9 Split Master 1.3 (44.1 kHz/48 kHz)
S44.1
S48.0
In Split Master 1
3 mode
the DL16 can be the word clock Master and use the Split 1
.
,
32
Split 2
2 mode is designed for the second device in a two
-
.
.
Refer to section 6 for more details
.
.
2 modes
but the AES50 B assignments differ between the two modes
.
,
48
-
.
AES50 B in
33-40
41-48
1-8
9-16
17-24
25-32
33-40
41-48
48.0
AES50 or ULTRANET
,
.
The routing is the same as in the Standard mode
.
.
3 routing
.
.
5.10 Converter
C44.1
unit daisy
-
In Converter mode
the DL16 can work as an A
,
Table 6: Converter mode routing
In split 2
3
.
.
XLR in
1-8
XLR out
1-8
1-8
ADAT out
9-16
1-8
ULTRANET
out
9-16
1-8
9-16
17-24
AES50 A out
25-32
33-40
41-48
1-8
9-16
17-24
AES50 B out
25-32
33-40
41-48
6. Setup examples
6.1 Single unit in Standard mode
Standard mode is used to convert 16 analog inputs on
channels can be sent from the console to the DL16 using the same Ethernet cable
NOTE
:
The AES50 B port out is an exact copy of the AES50 A port in
Standard mode is the simplest setup with the DL16 and is shown in the diagram below
Fig. 1: Single unit setup with DL16 in Standard mode
The sample rate
An additional 16 analog outputs can be added by connecting a device such as the Behringer ADA8200 to the ADAT OUT 1
of the DL16 AES50 A inputs
coming from console AES50 A outputs
(
C48.0
D converter and route the 16 XLR inputs to all digital outputs
-
AES50 A in
9-16
1-8
9-16
17-24
25-32
33-40
41-48
1-8
9-16
stage to digital and send them to FOH console
-
These channels are routed to multiple digital outputs
.
see routing chart in section 5
1
(
.
).
.
16 mic inputs
Console
DL16 #1
are routed to these outputs
)
.
15
Quick Start Guide
A detailed routing chart is provided below
.
.
AES50 B in
17-24
25-32
33-40
41-48
thus eliminating the need for analog snakes
48 digital
,
.
.
8 XLR outputs
(Ch. 1-8 from console)
8 and 9
16
AES50 channels 17
32
-
-
.
-
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