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Parameter
Value
Amp Sw
OFF, ON
JC-120
CLEAN TWIN
MATCH DRIVE
BG LEAD
MS1959I
MS1959II
Amp Type
MS1959I+II
SLDN LEAD
METAL 5150
METAL LEAD
OD-1
OD-2 TURBO
DISTORTION
FUZZ
Amp Volume
0–127
(*1)
Amp Master
0–127
LOW, MIDDLE,
Amp Gain
HIGH
Amp Bass
0–127
Amp Middle
Amp Treble
Amp Presence
0–127
OFF, ON
Amp Bright
Speaker Sw
OFF, ON
SMALL 1
SMALL 2
MIDDLE
JC-120
BUILT-IN 1
BUILT-IN 2
BUILT-IN 3
Speaker Type
BUILT-IN 4
BUILT-IN 5
BG STACK1
BG STACK2
MS STACK1
MS STACK2
MTL STACK
2-STACK
3-STACK
1, 2, 3
Mic Setting
Mic Level
0–127
Direct Level
0–127
Pan
L64–63R
Level
0–127
*1: This parameter corresponds to MFX Ctrl. For details, refer to
Ctrl)(P.203)".
Turns the amp switch on/off.
Type of guitar amp
This models the sound of the Roland JC-120.
This models a Fender Twin Reverb.
This models the sound input to left input on a Matchless D/C-30.
A simulation of the latest tube amp widely used in styles from blues and rock.
This models the lead sound of the MESA/Boogie combo amp.
The sound of a tube amp typical of the late '70s to '80s.
This models the sound input to Input I on a Marshall 1959.
This is a trebly sound suited to hard rock.
This models the sound input to Input II on a Marshall 1959.
This models the sound of connecting inputs I and II on a Marshall 1959 in parallel.
lt creates a sound with a stronger low end than MS1959I.
This models a Soldano SLO-100. This is the typical sound of the eighties.
This models the lead channel of a Peavey EVH5150.
This is distortion sound that is ideal for performances of heavy riffs.
This models the sound of the BOSS OD-1.
This produces sweet, mild distortion.
This is the high-gain overdrive sound of the BOSS OD-2.
This gives a basic, traditional distortion sound.
A fuzz sound with rich harmonic content.
Volume and amount of distortion of the amp
Volume of the entire pre-amp
Amount of pre-amp distortion
Tone of the bass/mid/treble frequency range
Tone for the ultra-high frequency range
Turning this "On" produces a sharper and brighter sound.
* This parameter applies to the "JC-120", "CLEAN TWIN", "MATCH DRIVE", and "BG
LEAD" Pre Amp Types.
Determines whether the signal passes through the speaker (ON), or not (OFF).
Cabinet
Small open-back enclosure 10
Small open-back enclosure 10
Open back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Sealed enclosure
Large sealed enclosure
Large sealed enclosure
Large sealed enclosure
Large double stack
Large double stack
Large triple stack
Adjusts the location of the microphone that is recording the sound of the speaker.
This can be adjusted in three steps, with the microphone becoming more distant in the
order of 1, 2, and 3.
Volume of the microphone
Volume of the direct sound
Stereo location of the output sound
Output Level
"Control del MFX con los mandos PAD EDIT [1] [2] (MFX
Explanation
Diameter (in inches) and number of the
speaker
12 x 1
12 x 2
12 x 2
12 x 2
12 x 2
12 x 2
12 x 2
12 x 2
12 x 2
12 x 4
12 x 4
12 x 4
12 x 4
12 x 4
Effect List (English)
Microphone
Dynamic
Dynamic
Dynamic
Dynamic
Dynamic
Condenser
Condenser
Condenser
Condenser
Condenser
Condenser
Condenser
Condenser
Condenser
Condenser
Condenser
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