Convenient Functions; Editing The Effects; Visually Editing The Sound (Ez Edit) - Boss eBand JS-10 Manual De Instrucciones

Convenient Functions

Editing the Effects

Here's how to edit the JS-10's built-in effects and create your own
favorite sound .

Visually Editing the Sound (EZ EDIT)

You can create sounds intuitively by using visual sound-shaping
grids (dual-axis graph), which allow you to adjust multiple
parameters with a single control .
1.
Select which of the two available effects you want to edit .
Select "IN1" to edit the effect for the INPUT 1 jack and select "IN2" to
edit the effect for the INPUT 2 jack .
IN1
Effect for INPUT 1
jack .
IN2
Effect for INPUT 2
jack .
2.
Press the [EFFECTS] button .
The PATCH SELECT screen appears .
IN1 / IN2
Displays the input
jack number for the
effect that is set .
Patch number
Displays the number
for each patch .
CATEGORY
Basic music style of the
effect .
3.
Select the category of the sound you want to create from
CATEGORY .
4.
Press the [ ] (Cursor) button .
The cursor moves to PATCH .
5.
Select the sound that is similar to what you have in mind
from PATCH .
PATCH
Combinations of multiple effects and
saved settings (patches) .
6.
Press the [ ] (Cursor) button .
The EZ EDIT screen appears .
Set the parameters using the cursor and the Dial .
SOFT BACKING
Softens the Sound for
distortion . backing .
  /  
Select
which way
to move
the cursor .
Cursor
Turn the Dial to move
the cursor in the
direction selected with
  /   .
NOTE
If you switch patches before saving an edited effect, the edited
information will be lost .
The edited information will also be lost if you switch songs with
the PATCH SYNC parameter set to ON, because the patches will
be switched at the same time .
To save the edited information, refer to "Saving Patches" (p . 19) .
MEMO
You can edit patches even more precisely . Refer to "Advanced
Editing of Sounds (PATCH EDIT)" (p . 18) .
SOLO HARD
Sound for Hardens the
solos . distortion .
AMBIENCE
Turn the Dial to adjust the
length of the reverb .
Short . . . Long
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