Using The Effects; Comp/Fx (Compressor/Effects) - Boss ME-70 El Manual Del Propietario

Using the Effects

All product names mentioned in this document are trademarks or registered trademarks of their respective owners.
Those companies are not affiliated with BOSS and have not licensed or authorized BOSS's ME-70. Their marks are used solely to identify the
equipment whose sound is simulated by BOSS's ME-70.

COMP/FX (Compressor/Effects)

You can select from among a wide variety of original effects, such as those that equalize the volume levels, or extend the sound without
distorting it (sustain).
fig.0140
COMP Pedal
This switches the effect
on and off.
TYPE What the controls do
SUSTAIN
COMP
This sets the sustain for the sound.
SENS
T.WAH UP/
This sets the sensitivity of response to the
T.WAH DOWN
input sound.
SENS
SLOW GEAR
This sets the sensitivity of response to the
input sound.
SENS
DEFRETTER
This sets the sensitivity of response to the
input sound.
LOW
Single>Hum
This adjusts the tone of the low fre-
quency range.
LOW
Hum>Single
This adjusts the tone of the low fre-
quency range.
LOW
SOLO
This adjusts the tone of the low fre-
quency range.
E-4
TYPE knob
Use this to choose the type of compressor or effect.
This produces an effect that sustains the sound without
1: COMP
distortion. It also works as a limiter to suppress loud peaks in
the input signal.
2: T.WAH UP
This produces a wah effect matched to the intensity of picking.
3: T.WAH DOWN
This removes the attack portion of the signal to create
4: SLOW GEAR
violin-like sounds.
This simulates a fretless guitar.
5: DEFRETTER
This changes a single-coil sound to a humbucker sound.
6: Single Hum
This changes a humbucker sound to a single-coil sound.
7: Hum Single
This produces the optimal sound for solo playing in
8: SOLO
combination with OD/DS or PREAMP.
ATTACK
This sets the attack (onset) of the sound. This sets the volume level of the effect.
TONE
This sets the tone (brightness) of the wah. This sets the intensity of the wah sound.
ATTACK
Adjusts the time needed for the volume
to reach its maximum.
TONE
This sets the tone.
HIGH
This adjusts the tone of the high fre-
quency range.
HIGH
This adjusts the tone of the high fre-
quency range.
HIGH
This adjusts the tone of the high fre-
quency range.
LEVEL
PEAK
LEVEL
This sets the volume level of the effect.
LEVEL
This sets the volume level of the effect.
LEVEL
This sets the volume level of the effect.
LEVEL
This sets the volume level of the effect.
LEVEL
This sets the volume level of the effect.