Retrologue
Synth Page
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Modulation Matrix
The concept of controlling one parameter by another is called modulation.
Retrologue offers many fixed assigned modulations, such as the amplitude and filter
envelopes, or pitch key follow. In the modulation matrix, you can assign additional
modulations.
Assigning modulations means interconnecting modulation sources, like LFOs and
envelopes, with modulation destinations, like pitch, cutoff, amplitude, etc.
The modulation matrix offers you up to 16 freely assignable modulations, each with
a source, an offset parameter, a modifier, and a destination with adjustable depth.
All modulation sources and destinations can be assigned several times.
Click the buttons labeled 1 to 4 to switch between the available modulation slots.
Creating Modulations
You create modulations by selecting a source, a modifier, and a destination from the
pop-up menus in the modulation matrix.
P
1.
2.
3.
4.
5.
R sets the release time.
L4 sets the end level.
Vel determines how much the envelope intensity depends on the velocity.
If this fader is set to 0, the envelope is fully applied. Higher values reduce the
intensity for lower velocities.
ROCEDURE
Click the modulation source field and select the modulation source.
Optional: Specify an offset for the output of the modulation source with the
Offset slider.
Optional: Click in the modifier field and select the parameter that you want to
use to modify the modulation.
This modifier is used to scale the output of the modulation source.
Set the modulation intensity with the Depth parameter.
Click in the modulation destination field and select the parameter that you
want to modulate.
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